Lot 0608

PITTORE GENOVESE DEL XVII SECOLO

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PITTORE DEL XVII SECOLO: Allegoria della Verità Olio su tela, cm 106X142 Il dipinto fu attribuito a Pietro Muttoni detto Pietro della Vecchia da Didier Bodart. Allievo del Padovanino, Pietro Muttoni fu una personalità compl

2017PITTORE DEL XVII SECOLOSee Sold Price

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PITTORE DEL XVII SECOLO: Veduta del Ponte di Rialto Olio su tela, cm 21,5X40,5

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PITTORE NAPOLETANO DEL XVII SECOLO: Ritratto di Santa Teresa d'Avila Olio su tela, cm 126X117 La tela trova confronto con quella firmata e datata 1644 esitata presso Sotheby's di Londra il 20 dicembre 2020, lotto 17, e di cui esiste sim

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PITTORE FIAMMINGO DEL XVII SECOLO: Apollo e Dafne Olio su tavola, cm 41X55 La tavola raffigura l'episodio di Apollo e Dafne tratto dalle Metamorfosi di Ovidio (1, 452-567) e descrive il momento in cui la ninfa si trasforma in un cespug

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PITTORE UMBRO DEL XVII SECOLO: Visione di San Francesco Olio su tela, cm 102X80 La tela rappresenta Sant'Antonio da Padova in atto di ricevere tra le braccia GesÃ¹ Bambino contornato da cherubini. Il santo porta l'abito dei frati

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PITTORE DEL XVIII SECOLO: Estasi di Santa Teresa Olio su tela ovale, cm 98,5X69 Ritrovamento della testa del Battista Olio su tela ovale, cm 96X68 (2) I dipinti recano una tradizionale attribuzione a un pittore genovese del XV

2022PITTORE DEL XVIII SECOLOSee Sold Price

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Scuola del Nord Europa del XVII secolo, Contadina: inchiostro nero acquerellato e tracce di biacca ossidata su carta preparata azzurra, mm 192x188 Reca numero di inventario in alto a sinistra Provenienza: Genova, coll. Santo Varni; Venezia, coll. priv

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ELISABETTA MARCHIONI: (attiva a Rovigo nella seconda meta' del XVII secolo) Vaso fiorito Olio su tela, cm 73X56 Straordinariamente celebre già in vita, Elisabetta Marchioni coniò uno stile e anticipò le fantasie floreal

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MARZIO MASTURZIO: (attivo a Napoli e Roma attorno alla meta' del XVII secolo) Coppia di battaglie Olio su tela, cm 24X38,5 (2) Le caratteristiche di stile ancora influenzate da Salvator Rosa, di cui Masturzio fu alliev

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GIUSEPPE VICENZINO: (attivo a Milano durante la seconda meta' del XVII secolo) Fiori Olio su tavola, cm 35X25 (3) Provenienza: Milano, collezione Giuseppe Bertini Pensando all'attribuzione di queste affascinati nature mo

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PITTORE DEL XIX-XX SECOLO: Ritratto di Fath 'Ali Shah Qajar (1797 - 1834) Olio su tela, cm 183,5X122 Il dipinto raffigura Fath 'Ali, Shah della dinastia Qajar, raffigurato inginocchiato su un prezioso tappeto. Di lui esistono p

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PITTORE DEL XVI SECOLO: Madonna con il Bambino e San Giovannino Olio su tavola, cm 109,3X85,7 Il dipinto si data al sedicesimo secolo e le analisi a raggi X rivelano un disegno preparatorio di notevole sprezzatura che non de

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PITTORE DEL XIX SECOLO: Ritratto a figura intera della principessa Obrenovitch Olio su tela, cm 129X87 Provenienza: Roma, collezione privata La dama qui ritratta è la principessa Obrenovitch, nata a Firenze nel 1859 dal col

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PITTORE DEL XIX-XX SECOLO: Tramonto in laguna Olio su tela, cm 90X117 La veduta qui illustrata, databile tra la fine del XIX e l'inizio del XX secolo, raffigura la laguna di Venezia con la Basilica della Salute e Punta della Do

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PITTORE DEL XVI-XVII SECOLO: Ritratto di Enea Bianchini Olio su tela, cm 114X96 Inscritto sulla tela: ENEA BIANCHINI CAV/RE COLL. DI S. CHIESA SOTTO PAOLO III E CLEM. VII AET: SVI/AN. XXXV Inscritto sul verso della tela: Del Sen/

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PITTORE DEL XVIII SECOLO: Modelletto per pala d'altare raffigurante la Madonna in gloria e santi Olio su tela, cm 73X39 Il dipinto reca un'attribuzione collezionistica a Domenico Corvi (Viterbo, 1721 - Roma, 1803), artista con

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Item Details

Description

Cattura di Cristo
Olio su tela, cm 80X124

I caratteri ancora cinquecenteschi, il fondale architettonico di gusto arcaico e la sintesi narrativa con in primo piano Cristo davanti a Caifa e sul fondo la scena della cattura, suggeriscono l'attribuzione a un pittore verosimilmente formatosi su modelli tardo cinquecenteschi, ma attivo nel corso del secolo successivo. Nel nostro caso registriamo la tradizionale attribuzione dell'opera a Lazzaro Tavarone, riferimento indubbiamente da scartare, ma interessante per poter inquadrare l'ambito culturale dell'autore.