Lot 1127

PITTORE DEL XVII-XVIII SECOLO

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PITTORE DEL XVII-XVIII SECOLO: Scena di battaglia con cavalieri Olio su tela, cm 36X45 Le caratteristiche di stile ancora influenzate da Salvator Rosa, di cui Masturzio fu allievo, amico e abile imitatore e la notevole qualità, co

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PITTORE DEL XVII-XVIII SECOLO: Sant'Ignazio di Loyola? Penna e bistro su carta, cm 26X17

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PITTORE LOMBARDO DEL XVII-XVIII SECOLO: Gesu' tra i dottori Olio su tela, cm 142X185 Il dipinto reca un'attribuzione collezionistica a Giovanni Battista della Rovere detto il Fiamminghino (Milano, 1561 - Milano, 1627), riferimento con evide

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PITTORE DEL XIX-XX SECOLO: Ritratto di Fath 'Ali Shah Qajar (1797 - 1834) Olio su tela, cm 183,5X122 Il dipinto raffigura Fath 'Ali, Shah della dinastia Qajar, raffigurato inginocchiato su un prezioso tappeto. Di lui esistono p

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PITTORE DEL XVI SECOLO: Madonna con il Bambino e San Giovannino Olio su tavola, cm 109,3X85,7 Il dipinto si data al sedicesimo secolo e le analisi a raggi X rivelano un disegno preparatorio di notevole sprezzatura che non de

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PITTORE DEL XVII SECOLO: Allegoria della Verità Olio su tela, cm 106X142 Il dipinto fu attribuito a Pietro Muttoni detto Pietro della Vecchia da Didier Bodart. Allievo del Padovanino, Pietro Muttoni fu una personalità compl

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PITTORE DEL XIX SECOLO: Ritratto a figura intera della principessa Obrenovitch Olio su tela, cm 129X87 Provenienza: Roma, collezione privata La dama qui ritratta è la principessa Obrenovitch, nata a Firenze nel 1859 dal col

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PITTORE DEL XVII SECOLO: Veduta del Ponte di Rialto Olio su tela, cm 21,5X40,5

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PITTORE DEL XIX-XX SECOLO: Tramonto in laguna Olio su tela, cm 90X117 La veduta qui illustrata, databile tra la fine del XIX e l'inizio del XX secolo, raffigura la laguna di Venezia con la Basilica della Salute e Punta della Do

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PITTORE DEL XVI-XVII SECOLO: Ritratto di Enea Bianchini Olio su tela, cm 114X96 Inscritto sulla tela: ENEA BIANCHINI CAV/RE COLL. DI S. CHIESA SOTTO PAOLO III E CLEM. VII AET: SVI/AN. XXXV Inscritto sul verso della tela: Del Sen/

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PITTORE DEL XVIII SECOLO: Estasi di Santa Teresa Olio su tela ovale, cm 98,5X69 Ritrovamento della testa del Battista Olio su tela ovale, cm 96X68 (2) I dipinti recano una tradizionale attribuzione a un pittore genovese del XV

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PITTORE DEL XVIII SECOLO: Modelletto per pala d'altare raffigurante la Madonna in gloria e santi Olio su tela, cm 73X39 Il dipinto reca un'attribuzione collezionistica a Domenico Corvi (Viterbo, 1721 - Roma, 1803), artista con

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PITTORE DEL XVIII SECOLO: Bozzetto con San Giovanni Nepomuceno e angeli Olio su tela, cm 32X22 La tela giocata sui toni freddi e fortemente dinamica grazie alla spinta propulsiva verso l'alto del protagonista, il Santo è rico

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PITTORE DEL XIX SECOLO: Veduta del Duomo di Milano Tempera su carta, cm 16,5X22

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PITTORE FIAMMINGO DEL XVIII SECOLO: Vaso fiorito Firma indistinta sul bordo del piano in marmo: Jan van Huij Olio su tela, cm 51X41 Il dipinto presenta inequivocabili caratteri nordici prossimi allo stile del pittore Jan van Huysum (Ams

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PITTORE VENETO DEL XVIII SECOLO: Crocifissione Salita al Calvario Deposizione Cristo deriso Olio su tela ovale, cm 97,6X74 (4) I dipinti qui presentati, sia pur interessati da una vernice molto ossidata e dalla sporcizia, mostrano un

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Item Details

Description

Ritratto di avara
Olio su tela, cm 16X14

La qualità dell'opera è molto alta, basti il dettaglio degli occhiali con la lente sbeccata e la resa pittorica dell'incarnato per cogliere la raffinatezza dell'esecuzione, tanto da non sorprendere la tradizionale attribuzione a Jan Lievens e alla scuola di Haarlem. Tuttavia, il carattere delle stesure conduce a un autore italiano e a cogliere strette analogie con le opere di Giuseppe Nogari (Venezia, 1699 - 1763), suggerendo di conseguenza una genesi veneta del dipinto. L'immagine, infatti, evoca il Ritratto di vecchia dell'Accademia Carrara (cfr. F. Rossi, Accademia Carrara. Bergamo. Catalogo dei dipinti, Milano, 1979, p. 352) o sempre il Ritratto di vecchia già della Collezione Algranti (cfr. archivio Zeri, n. 66813), ma è indubbio che in questo caso siamo al cospetto di una esecuzione raffinatissima, altresì confermata dalle contenute dimensioni.