Pre-Columbian, North Coast Peru, Moche IV, ca. 200 to 500 CE. An early Moche stirrup vessel finely painted in a bichrome finish of red and cream hues depicting a male figure holding a jaguar. Given the great contrast in scale between the figure and the jaguar he holds, the figure probably represents a warrior or ruler of high status. What's more, the figure is elaborately dressed in a helmet adorned with a large white triangular form that most likely represents a bone or tooth detail, long white "bone" or "tooth" ear ornaments , a supply sack or coca bag over his shoulder, as well as a handsome tunic covered with spots indicating that it was made from a jaguar pelt, a practice favored by Moche rulers and warriors seeking to channel the might and power of this revered feline. A marvelous example, replete with rich iconography, strong technique, and a beautiful bichrome finish. Size: 7.25" L x 4.75" W x 8.25" H (18.4 cm x 12.1 cm x 21 cm)

The jaguar symbolized power and might throughout the Pre-Columbian world. Warriors, rulers, hunters, and shamans alike associated themselves with this king of beasts, the largest and most powerful feline in the New World. The principal Moche god wears a headdress adorned with a jaguar head and paws and important mortals donned similar headdresses. A nocturnal animal, the jaguar sleeps in caves and dark places and creeps quietly in the forest, evoking great mystery. Oddly enough, few Moche artists would have actually scene jaguars as they are not indigenous to the coast. Jaguars prefer moist forest conditions. However, scholars believe that some cubs were transported over the mountains for Moche rituals and it is also possible that some jaguars wandered down the coast.

Provenance: Ex-California Museum of Ancient Art

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#115236

Normal surface wear commensurate with age. Overall intact and excellent. Nice manganese deposits.