Lot 0049

Andres Tolts (Estonian 1949 - 2014)

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Andres Tolts (Estonian 1949 - 2014): Pärast kunstikallakuga Tallinna 46. Keskkooli lõpetamist 1968. aastal läks Tolts õppima tööstuskunsti erialale ERKI-s, lõpetades selle 1973. aastal. ERKI päevil esines ta juba selgeilmelise ma

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Andres Tolts (1949 – 2014): Väikesed maastikud B XI. 1993. Akrüül. Kollaaž. Lõuend. 76.5 x 27.5 cm. Andres Toltsi on sageli nimetatud Eesti ainsaks tõeliseks popkunstnikuks, kes kasutas oskuslikult

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Andres Tolts (1949 – 2014): Raamid ja lõuendid. 1999. Akrüül. Lõuend kleebitud vineerile. 152.2 x 33.5 cm. Hästi on tuntud Toltsi varasema loomeperioodi kollaažid ja vormikatsetused, hiljem keskendu

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Andres Tolts (1949 – 2014): Kell ja kolmnurk. 2001. Akrüül. Lõuend. 65 x 70 cm. Andres Tolts oli maalikunstnik ja graafik, kes tõusis kunsti-maailma huviorbiiti juba 1960. aastatel, mil temast sai ük

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Aili Vint (Estonian 1941) Õhtune järv: 1972. aastal pööras Aili Vint selja värvikirkale op-artlikule perioodile ja üllatas publikut meisterlike töödega moodimineva hüperrealismi vaimus. Need kujutasid noo

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Johannes Saal (Estonian 1911 - 1964): Johannes Saal astus Pallasesse 1933. aastal ning esines 1934. aastal õpilaste tööde näitusel. Võimalik, et käesolev, tugevast maalijaandest kõnelev töö oli seal esitatud. Igatahes oli see tem

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Peeter Mudist (Estonian 1942 -2013): Vaatamata kunstnikku kaua vaevanud tõvele, mis muutis maalimise eneseületamise katseks, ei kadunud tema poeetiline maailmatunnetus. Valguses helendava akti pea peal korvis on tärganud &

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Ludmilla Siim-Kaasinen (Estonian 1938): Ludmilla Siimu n-ö läbilöögiteos oli “Kollane tuba” (1970, Eesti Kunstimuuseum). Enne Soome siirdumist 1977. aastal etendas ta Eesti kunstielus silmapaistvat osa, moodustades omamoodi grupi si

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Juhan Püttsepp (Estonian 1898 - 1975).: Uisutajad. 1940. Õli. Lõuend. 70 x 90 cm. J.Püttsepp õppis Pallases alates selle avamisest 1919.aasta sügisel, kuid vaheaegadega. 1927.aastal omandas ta seal joonistusõpe

2022Juhan Püttsepp (Estonian 1898 - 1975).See Sold Price

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August Jansen (Estonian 1881 – 1957): A. Janseni laad muutus 1940.aastate algupoolel õhulisemaks, otsekui akvarellilikuks, koloriit heledaks, selles hakkasid valitsema sinakasrohelised ja beežikad toonid. Selles laadis lõi

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Varmo Pirk (Estonian 1913 - 1980) Jaanipäev: Sellal õppis Varmo Pirk Kõrgematel Kujutava Kunsti kursustel Tartus. Teos on tema varasema, õpinguteaegse loomingu (1938–45) tähelepanuväärsemaid kompositsioone. Ol

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Kaljo Põllu (Estonian 1934 - 2010): Tuli, maa, õhk, vesi – nende nelja elemendiga on kunst ikka tegelenud. K.Põllu on püüdnud kujutleda oma teadmiste näjal ürgajaloost ja kultuuriantropoloogiast inime

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Richard Uutmaa (Estonian 1905 - 1977): Teos on fikseeritud monograafias “Richard Uutmaa.Armastades Eestimaad” (Tln. 2008, lk. 310, nr. 126). See on maalitud kargetes sinkjasrohelistes toonides. 1940. aastatel ilmnes Uutmaal sag

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Ilmar Malin (Estonian 1924 – 1994): Teos, milles võib näha Ülo Soosteri kaudset mõju. See avab sümbolistlik- poolabstraktsete teoste rea Malini 1950.aastate lõpu-1970.aastate alguse loomingus. Paremal keske

2021Ilmar Malin (Estonian 1924 – 1994)See Sold Price

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Aili Vint (Estonian 1941): Enamasti on Aili Vindi mered, mille tüünel pinnal mängib valgus, suurema formaadiga. Varasem looming opkunsti vaimus tuli kasuks peente toonigradatsioonide edasiandmisel meremaalides. A

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Johannes Greenberg (Estonian 1887 - 1951): Teose omanik oli maalija Elsa Silm-Starčenko (1925-2018), kes lõpetas ERKI 1951.aastal. Ta oli üks Greenbergi õpilasi Tallinna Riiklikus Tarbekunsti Instituudis (s.o. hilisemas ERKI-s) ning, n

2021Johannes Greenberg (Estonian 1887 - 1951)See Sold Price

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Item Details

Description

Andres Toltsi loomingut võiks nimetada „sümmeetria ülistuseks”. Ülo Õun ei kujutanud teda asjata suure mõõdusirkliga. Kvaasimarmoreeritud pindade tasakaalu lõuendil toob kergelt dissoneeriva ruumilise momendi keskne kolmnurk. Mis puutub marmoreeringusse, siis Toltsile meeldis lülitada seni banaalseks peetud motiive ja faktuure oma esteetilisse süsteemi, neid seega väärtustades. (M.Levin)
Kui eelmisel, kevadisel Vernissage’i kunstioksjonil üllatas Tolts meid oma varasematest perioodidest pärit haruldustega, siis käesolev teos esindab hilisemat ja tuttavamat ajastut ning Tasakaalu teemat, kus kohtume täpselt väljamõõdetud ja viimistletud pindadega, mille hulka kuulub ka tema üheks kaubamärgiks olev marmoriseeringu võte. Tema samanimelise näituse üks kuraatoritest, vaimulik Erkki Juhandi on siinkohal toonud välja Toltsile nii elus kui loomingus olulised olnud märksõnad: tasakaal, harmoonia, korrastatus, rahu, üksmeel. (T.Soikmets). Suurus: 100 × 160 cm. Aasta: 1996/97a Tehnika: Akrüül, lõuend