Johannes Beutner, Portrait des Verlegers Erhard Bun

FLEMISH SCHOOL 1ST HALF 17TH CENTURY PORTRAIT OF SAINT PETRUS Oil on oak panel. 36 x 25,5 cm (F. 45 x 35 cm). Inscribed above: 'SC PETRUS'. Part. min. old rest., old retouching. Frame. Provenance: Sou

Walter Ophey 1882 Eupen - 1930 Duesseldorf Portrait of the son Ulrich Nikolaus Pastel on paper; H 280 mm, W 285 mm (passe-partout dimensions); Estate signature stamp

ATTRIBUTED TO JACOB FERDINAND VOET 1639 Antwerp - 26 September 1689 Paris PORTRAIT OF THE URBANO ROCCI Oil on canvas. 105 x 78 cm (F. 112 x 85 cm). Part. dam., paint losses, soiled surface. Frame. Pro

Sir Anthony van Dyck (Flemish, 1599-1641), Portrait des Malers Frans Snyders, etching, titled lower center, artist identified in plate lower left, sheet: 9.75"h x 6.5"w, overall (with frame): 16"h x 1

HANS HOLBEIN D.J. 1497/98 Augsburg - 1543 London (Nachfolger des 19. Jh.) Portrait des Thomas Goldsalve mit seinem Sohn John l auf Hartholztafel. 36 cm x 37,5 cm. Verso: Auf der Platte mit Aufdruck: '

MAYER. Collection complete des portraits. 1810. 101 full page engraved portraits. [Mayer, Marie-Francoise Constance]. Collection complete des portraits des Grands-Aigles... [Paris: The Author, 1810].

including Marie Antoinette, Madame de Pompadour, Caroline Bonaparte, M Josephine, and Marie Antoinette d'Autriche, stamped verso, 9.5in.

Astronomy.- Regiomontanus (Johannes Müller) Kalendarium, 25ff. (of 26, lacking final blank) plus 2ff. woodcut diagrams at end, printed in red and black including 30 diagrams of eclipses, woodcut init

NORTHERN ITALIAN SCHOOL OF THE SECOND HALF OF THE 16TH CENTURY. PORTRAIT OF A NOBLEMAN WITH ARMOUR Oil on copper. 5,8 x 4,4 cm (F. 6,1 x 4,5 cm) (high oval). Framed behind glass. Provenance: Internati

PORTRAIT PAINTER IN THE MANNER OF THE 16TH CENTURY PORTRAIT OF A SULTAN WITH TURBAN Oil on canvas lay down on plate. 81 x 62,5 cm (F. 95,5 x 77 cm). Part. slightly old rest., light scratches. Frame. P

Russisch, um 1800. Tempera über Kreidegrund auf Holz. Im Zentrum Darstellung der thronenden Hl. Sophia vor Aureole, flankiert von der Gottesmutter des Zeichens und Johannes d. Vorläufer. Über

REGIOMONTANUS (Johannes MULLER, 1436-1476). Calendarium. Augsburg: Erhard Ratdolt, 1496. 4to (189 x 140 mm). 25 (of 30) leaves. Printed in red and black, woodcut illustrations of eclipses of the sun a

Portrait of Madame Aïsse : French school of the 18th century, circle of Gaubert Oil on canvas, relined. 82 x 65 cm. - Charlotte Aïsse (Circassia 1694-1733 Paris) was the daughter of a Circassian

BARTOLOMEO ESTEBAN MURILLO (FOLLOWER OF THE PROBABLY 18TH CENTURY) 1618 Seville - 1682 Ibid JESUS AND JOHN THE BAPTIST AS CHILDREN Oil on canvas (old relined). 44,5 x 55,5 cm (F. 66 x 80 cm). Part. di

GIRARD (PIERRE JACQUES FRANCOIS) Traité des armes, second edition, engraved portrait of the author by J. de Favanne, title printed in red and black, 116 engraved plates (8 folding, 2 with small

Unleserlich signierender Künstler, Porträt des Königs Gustav II. Adolph / Portrait of King Gustav II. Adolph, 18. Jh. Technik: Öl auf Leinwand, im Medaillonrahmen (stuckiert und goldgefasst), Dati

Johannes Gruetzke 1937 Berlin - 2017 Untitled (Portrait) Lithograph, cut and colored over cardboard; H 570 mm, W 510 mm; signed and dated ''Johannes Gruetzke 84''; marked hard to read

Francois Gerome, French, born 1895, oil painting on canvas, Avenue des Champs Elysees, depicting a portrait of a lady in a cityscape. Signed and titled in French, lower left. Framed. Francois Gerome w

French Henri II style heavily carved enfilade, three doors open to shelved interior with single drawer, coat of arms motif with center portrait, figural, includes key, rising on bun feet 48.5"h x 85.

In a giltwood frame, this plaque depicts of a lady's portrait with her brown hair in buns, and a sheer shawl partially covers her back and shoulder of bright porcelain complexion. Stamped on the back

BEAUTIFUL GILTWOOD FRAMED KPM PORCELAIN PLAQUE In a giltwood frame, this plaque depicts of a lady's portrait with her brown hair in buns, and a sheer shawl partially covers her back and shoulder of br

Cette notoriété lui permet de se consacrer au thème du portrait qu'il affectionne particulièrement. A l'instar de son contemporain, Albert Anker, Larsson privilégie l’aquarelle,

PABLO PICASSO (1881-1973) "PORTRAIT DE JACQUELINE DE FACE II" (B. 1063, Ba. 1280) Year :1962 Linocut in colors, on Arches paper Dimensions with full margins : 64.1 cm x 52.7 cm ; S : 75.2 cm x 61.9 cm

PABLO PICASSO (1881-1973) "LES PORTRAITS IMAGINAIRE" (Imaginary Portraits): one plate 1969Offset lithograph in colors, on Arches paperDimensions : with full margins 53.3 cm x 40.6 cm. S : 65 cm x 50.5