Frans Francken il Giovane (attribuito a) Lamentation of Christ

Attributed to FRANS FRANCKEN III (Antwerp, Belgium, 1607 - 1667). "Fall of Christ on the Way to Calvary". Oil on copper. Size: 43,5 x 33,5 cm; 59 x 69 cm (frame). The fall of Jesus is represented here

Old Master oil on canvas painting of Mary Magdelene by Jacopo Palma il Giovane, 16thc. Painting: 45.5"x 55.5" in a frame: 54"x 64".A rare huge example of this Old Master's work.(From Wiki):"Palma il G

(Flemish, 1581-1642) Martyrdom of St. Ursula, oil on copper, 23 x 29-3/8 in.; carved and gilt wood frame, 29-1/2 x 35-1/2 x 2-3/8 in. Provenance: Christie's South Kensington, London, October 26, 2011,

ANTHONS VAN DYCK / FRANS FRANCKEN II (IN THE MANNER OF) 1599 Antwerpen / 1641 London - 1581 Antwerpen / 1642 Ibid CONCERT OF ANGELS Pencil and Pen, brown and grey ink, part. grey wash on beige handmad

Please study all photographs carefully to get an accurate representation of the item. We offer in-house shipping internationally (US and rest of the world. Dispatched from the UK). We aim to ship all

Buonarroti Michelangelo (il giovane), Poesie. (Al colophon:) Montagnola: Officina Bodoni, 1923. In-4° (mm 290x200). Pagine 38, [2], con 4 carte bianche in principio e in fine. Esemplare stampato s

(Parma, 1671 - Venezia, 1751) Pan e Siringa Olio su tela, cm 60X92 Il Rocca, detto anche Parmigianino il giovane o Michele da Parma, svolse gran parte della sua attività a Roma, dove è documentato d

(Milano, 1635 - 1719) Mose' e il vitello d'oro Olio su tela, cm 117X148 Federico Bianchi fu allievo di Ercole Procaccini il giovane e protagonista della cultura tardo barocca milanese, assai elogiato

École flamande (XVII) Sainte Madeleine pénitente Description: Oil on copper, inspired by the Atelier de Frans Francken II, 1581-1642, Baroque frame, Montréal estate, mentioned on

VAN DE VELDE IL GIOVANE, Jan. Le quattro stagioni.Claes Jansz Visscher, 1617 4 Tavole inc. all’acquaforte di mm. 288x426, 292x427, 290x423, 299x434; II stato di IV con il monogramma I.V. dell&#8

(Savona, 1668 - Napoli, 1746) Visitazione Olio su tela, cm 104X79 Fratello minore di Bartolomeo, Domenico svolse il suo apprendistato nella bottega paterna. Si presume che il giovane viaggiò in Emili

A blown glass spherical vase, altezza cm 11,5, diametro cm 11, M. Barovier, C. Sonego, a cura di, La vetreria M.V.M. Cappellin e il giovane Carlo Scarpa: 1925-1931, Catalogo della mostra (Venezia, Fon

Jacopo Negretti, detto Palma il Giovane (Venezia 1544 - 1628) Two drawings depicting "Studies for heads" of mm 49x55 and one attributed to the same artist of mm 53x41 Pen and brown ink on paper Proven

European (Germany), probably 17th or 18th Century. Woodcut, matted and framed. Woodcut of the Passion of Christ with several female figures ministering to Jesus. Artist's mark on lower left. Gallery t

FOLLOWER OF PIETRO LORENZETTI Around 1280 Siena - Probably 1348 Ibid DESCENT FROM THE CROSS AND LAMENTATION OF CHRIST Tempera on gold and chalk ground, nimben punched, partial contour engraved. 21 x 3

Old Master School, oil on panel, Pieta, Old Master School (Likely Italian, 17th/18th c.), Lamentation of Christ. Pieta, oil on cradled panel, partial Italian export label dated 1925 on verso, 20.25"h

Impressive Mexican Retablo of The Pieta Oil on Tin 14''x10'' Image. A large ex-voto depicting the lamentation of christ with angels and inscription at bottom. Tin folk art frame 22''x15''. Overall lig

Monumental 18th c. Epitaphios icon, ex Sotheby's, c. 1790s, Greece or Russia, paint on canvas, depicting the Lamentation of Christ, slat wood frame, 61"h x 87"w (canvas) Provenance: The Collection of

After Alessandro Turchi (19th/20th century) Untitled (The Lamentation of Christ) oil on canvas 18 x 23 inches.

olio su tavola, W. 74 - H. 55 Cm

Allegoria della Verità Olio su tela, cm 106X142 Il dipinto fu attribuito a Pietro Muttoni detto Pietro della Vecchia da Didier Bodart. Allievo del Padovanino, Pietro Muttoni fu una personalità compl

(Taverna, 1613 - La Valletta, 1699) Battesimo di Cristo Olio su tela, cm 60X30 Il dipinto è stato attribuito a Mattia Preti da Claudio Strinati e dallo studioso comparato con la decorazione a olio su

Spanish or Italian school, 18th century. Following models by JOSÉ DE RIBERA (Játiva, Valencia, 1591-Naples, 1652). "Lamentation over the Dead Christ". Oil on canvas. Repainting, restorations. F

(Napoli, 1660/ 1670 ; intorno al 1724/27) Capriccio architettonico Olio su tela, cm 74,5X100,5 Provenienza: Napoli, collezione privata Già attribuito ad Agostino Tassi, il dipinto è stato ri