Large Gilbert and George photo collage, 1989, titled "Burning World", from a now famous series they did of large scale photo collages in the late 1980's, all with the word "World" in the title, such as "Monument World", "Silver World", Kneeling World", etc. All approximately 94"x 68". This work is 94" x 68" in a frame 95.5" x 69.5". This work shows photographs of a forest, photos of bridges, and photos of a known Bollywood actor from the 1980's. Provenance: From the now closed restoration studio of Orrin Riley and Suzanne Schnitzer. Orrin Riley was a world famous art restorer, who founded the conservation department at the Guggenheim Museum and ran it for 20 years. After leaving the Guggenheim, he opened a restoration business in the West 30's in NYC, and ran it until his death in 1986. Riley's girlfriend and business partner, Susanne Schnitzer, continued the studio until her untimely death from an automobile accident in 2007. From 2007 to 2017 the executors worked with the Attorney General for the State of New York, clearing title and declaring ALL THE WORKS LEGALLY ABANDONED so they could be sold. David Killen Gallery purchased the contents of the restoration studio, some 200 works of art, that were left behind that could not find owners. David Killen Gallery will be selling the 200 works over the next few years and they range from minor works of art to important pieces. The executors, along with an archivist, made a catalogue of the abandoned items, and a page corresponding to the work being sold will be included with every Orrin Riley lot sold at this auction house. This work was in the Orrin Riley studio at least 10 years and possibly as long as 30 to 40 years.

From Wiki): Born Gilbert Prousch (or Proesch) and George Passmore17 September 1943 (age 74) San Martin de Tor, Italy (Gilbert) and 8 January 1942 (age 76) Plymouth, United Kingdom (George)Education Saint Martin's School of Art Awards Regione Lazio Award (Torino, 1981), Turner Prize (1986), Special International Award (Los Angeles, 1989), South Bank Award (2007), Lorenzo il Magnifico Award (Florence, 2007).Gilbert Prousch sometimes referred to as Gilbert Proesch(born 17 September 1943 in San Martin de Tor, Italy) and George Passmore (born 8 January 1942 in Plymouth, United Kingdom) are two artists who work together as the collaborative art duo Gilbert & George. They are known for their distinctive and highly formal appearance and manner in performance art, and also for their brightly coloured graphic-style photo-based artworks.Gilbert Prousch was born in San Martin de Tor in South Tyrol, northern Italy, his mother tongue being Ladin.[6] He studied art at the Sëlva School of Art in Val Gardena and Hallein School of Art in Austria and the Akademie der Kunst, Munich, before moving to England.George Passmore was born in Plymouth in the United Kingdom, to a single mother in a poor household. He studied art at the Dartington College of Arts and the Oxford School of Art.The two first met on 25 September 1967 while studying sculpture at Saint Martin's School of Art. The two claim they came together because George was the only person who could understand Gilbert's rather poor English. In a 2002 interview with the Daily Telegraph, they said of their meeting: "it was love at first sight".[7] They have claimed that they married in 2008.[6] They are often seen together on walks through East London.Since 1968, Gilbert & George have been residents of Fournier Street, Spitalfields, East London. They live in an 18th-century house that has been restored to its original decor.[8] Their entire body of work has been created in, and focused on, London's East End, which they see as a microcosm. According to George, "Nothing happens in the world that doesn't happen in the East End."[6]Art and exhibitingGilbert and George's approach to art has always been anti-elitist. Adopting the slogan ‘Art for All’, they aimed to be relevant beyond the narrow confines of the art world. Although they work in a variety of media, they have always referred to all of their works as "sculpture". Between 1970 and 1974 they made drawings (referred to as 'Charcoal on Paper Sculptures') and paintings to give a more tangible form to their identity as ‘living sculptures'.[9][10]They have received much acclaim with extensive solo exhibitions in the UK, USA, France, Holland, Switzerland, Germany, Spain, Austria, Denmark, Russia and China; numerous Honorary Doctorates from academic institutions including Plymouth University; and awards such as the Special International Award, the South Bank Award and the Lorenzo il Magnifico Award. In 1986 they won the Turner Prize which is widely considered to be the UK’s most prestigious contemporary art award. In 2005 they represented the UK at prestigious international art exhibition, the Venice Biennale.[11] In 2017, the artists celebrate their 50th anniversary.Singing and living sculpturesWhilst still students, Gilbert & George made The Singing Sculpture, which was first performed at Nigel Greenwood Gallery in 1970.[12] For this performance they covered their heads and hands in multi-coloured metalised powders, stood on a table, and sang along and moved to a recording of Flanagan and Allen's song "Underneath the Arches", sometimes for a day at a time.[13] The suits they wore for this became a sort of uniform for them. They rarely appear in public without wearing them. It is also unusual for one of the pair to be seen without the other. The pair regard themselves as "living sculptures". They refuse to disassociate their art from their everyday lives, insisting that everything they do is art. They were listed as among the fifty best-dressed over 50s by The Guardian in March 2013.[14]The PicturesThe pair are perhaps best known for their large scale photo works, known as The Pictures. The early work in this style is in black and white, later with hand-painted red and yellow touches. They proceeded to use a range of bolder colours, sometimes backlit, and overlaid with black grids. Their work has addressed a wide variety of subject matter including religion and patriotism. The two artists also often appear in their own "pictures".[15] They have described their "pictures" as a sort of "visual love letter from us to the viewer".[16]In 1986, Gilbert & George were criticised for a series of pictures seemingly glamourising 'rough types' of London's East End such as skinheads, while a picture of an Asian man bore the title "Paki". Some of their work has attracted media attention because of the inclusion of (potentially) shocking imagery, such as nudity, depictions of sexual acts, and bodily fluids (faeces, urine and semen). The titles of these works, such as Naked Shit Pictures (1994) and Sonofagod Pictures (2005), also contributed to the attention.A book, The Complete Pictures, 1971–2005, published in 2007 by Tate Modern, includes over a thousand examples of their art.[17]In May 2007, Gilbert & George were the subject of the BBC documentary Imagine, presented by Alan Yentob. At the end of the programme a picture entitled 'Planed' was made available as a free file download from the BBC and The Guardian websites for 48 hours. People who downloaded the files could then print and assemble the piece, and thus own an original Gilbert and George picture for free.[18]Jack Freak PicturesJack Freak Pictures is, to date, the largest series of work created by Gilbert & George. According to Michael Bracewell "the Jack Freak Pictures are among the most iconic, philosophically astute and visually violent works that Gilbert & George have ever created." The Union Jack and Gilbert & George are the two dominant pictorial images – appearing contorted, abstracted, and sometimes complete. The entire series is set in the East End of London indicated by flags, maps, street signs, graffiti and other less obvious motifs such as brickwork and foliage that can be found there.After showing at White Cube’s Hoxton and Mason Yard galleries in 2009 the exhibition travelled to the Croatian Museum of Contemporary Art, Zagreb; The Kröller-Müller Museum, the Netherlands; Centro de Arte Contemporaneo de Malaga, Spain; Arndt & Partner gallery, Berlin; the Baronian Francey Gallery, Brussels; and the Bozar Center for Fine Arts, Brussels.[19]Awards and honours1981 – won the Regione Lazio Award (Torino)1986 – won the Turner Prize1989 – won the Special International Award (Los Angeles)2005 – represented the UK at the Venice Biennale2007 – their retrospective at Tate Modern was the largest of any of the artists who have had retrospectives there[6]2007 – won the South Bank Award, as well as the Lorenzo il Magnifico Award (Florence).December 2008 – awarded Honorary Doctorates by London Metropolitan University.[citation needed]October 2010 – awarded the honorary title "Magister Artium Gandensis" by University College Ghent[20]November 2010 – conferred with Honorary Doctorates by the University of East London[21]March 2012 – conferred with Honorary Doctorates by the Open University[22]2013 – awarded Honorary Doctorates of Arts by Plymouth University[23]2017 – elected as Royal Academicians by the Royal Academy of Arts[24] in London.Gilbert & George claim to be an oddity in the artistic world because of their openly conservative political views and their praise for Margaret Thatcher. George claims never to have been anti-establishment: "You're not allowed to be Conservative in the art world, of course", he says. "Left equals good. Art equals Left. Pop stars and artists are meant to be so original. So how come everyone has the same opinion? ... We admire Margaret Thatcher greatly. She did a lot for art. Socialism wants everyone to be equal. We want to be different."[6] The duo are monarchists and have said of the Prince of Wales: "We're also fond of the Prince of Wales: he's a gentleman."Influence and legacy Gilbert & George inspired two characters, Man Green and Man Yellow, Chief Constables of the Science Gestapo, in Grant Morrison's comicbook series The Filth. The two characters appear in pastiches of Gilbert & George's artwork, with the separate sections of the imagery acting as individual comic book panels. The look that electronic music band Kraftwerk adopted between 1974 and 1978 with men in suits wearing ties, was partly inspired by Gilbert & George: musicians Florian Schneider and Ralf Hütter had seen an exhibition of the artists in Düsseldorf in 1970 and were seduced by the idea of "bringing art into everyday life".[25] Jim Moir has explained to The Independent that Vic Reeves Big Night Out was initially thought of as "performance art, like Gilbert and George's singing sculpture".[26] David Bowie was known to collect the work of Gilbert & George.

Good condition overall, the surface is a little warped and wavy. Some of the photos are slightly lifting at the edges. The white linen mounting having some fading from age from white to creme and some grime or dirt. This lot is on view with the rest of the exhibition everyday from Saturday, May 12th to Sunday, May 20th, the day of the auction at 110 west 25th street between 6th and 7th avenue, in NYC. Street level gallery.