This prints shows three women on a boat heading under a stone archway while a boat containing another three figures paddle in the background, the opposite direction. The sun sets on the horizon, casting a red glow on the hills while the sky turns dark blue.

Weight (lbs): 0.25
Height (In.): 10.25
Width (In.): 14.5
Depth (In.): N/A
Size: 14.5X10.25
Maker: Utagawa School
Material: Paper
Date: 19th C
Provenance: N/A
Condition: Wrinkling of the original paper with creased folding at the corners. A longer crease down the paper, to the left of the center.
History: Woodblock printing in Japan (moku-hanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Although similar to woodcut in Western printmaking in some regards, the moku-hanga technique differs in that it uses water-based inks—as opposed to western woodcut, which often uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency.
Condition: Wrinkling of the original paper with creased folding at the corners. A longer crease down the paper, to the left of the center. History: Woodblock printing in Japan (moku-hanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Although similar to woodcut in Western printmaking in some regards, the moku-hanga technique differs in that it uses water-based inks—as opposed to western woodcut, which often uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency.