I.
° Artist: Egon Schiele (after)
° Title: Seated woman with bent knee
° Dimensions in inches: (12 1/2 h x 10 w)
° Medium: Watercolor on piano score paper
° Condition: good general condition

II.
The drawing has a writing in the lower right and you can see what it says (Egon Schiele / 1917). The sheet of paper is a bit thin. The bottom and top edges of the paper are in perfect condition, the side edges of the paper are a little worn and have some tears, the corners of the paper are also a little brittle. The paper is a bit old. In addition, on the back of the drawing there are two ink stamps that have been taken with good photos for a better visualization of the end customer.

III.
PLEASE NOTE: Lots that do not have an established documented provenance or prior auction record are described in this catalog as "After".

2. Exact copies of artwork by a master artist *You must use "after" in the title and description.It should include a definition of "After". A suggested definition:For Unique Paintings / Works: The word "after" is used for a work by an unknown creator who has created a copy of a known work by the named artist. (Source: Getty Art & Architecture Thesaurus)

IV.
Egon Leo Adolf Schiele, better known as Egon Schiele (Tulln an der Donau, Austria, June 12, 1890-Vienna, Austria, October 31, 1918), was a contemporary Austrian painter and printmaker and a disciple of Gustav Klimt. He was, along with Oskar Kokoschka, the highest representative of Austrian Expressionism. In his short but eventful life of him, I have produced 340 paintings and around 2,800 drawings.Her life from him was surrounded by an aura of mysticism and talent very early on. His creative work includes poems and photographic experiments. His particular style placed him among the expressionist movements, especially of the Vienna Secession, with a very personal typology.One of the strongest characteristics of Schiele's painting is the dexterity and firmness of his stroke, which continued once started without respite, until the end, without any subsequent correction. It seems that the artist continued with the drawing of him without caring if the model moved or changed places, since the line continued its course carrying all its emotional dimension of it.

Good condition