Lot 0052

Olav Maran (Estonian 1933)

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Olav Maran (Estonian 1933): Imetore väike vaikelu. Olav Maran maalib just nimelt vaikelusid, mitte surnud loodust – nature morte’i. Tema maalidel vestavad lihtsad asjad lugusid igapäevasest elust ja neist l

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Olav Maran (Estonian 1933): Vaikelu kuivatatud kalaga. 1978. Õli. Papp. 44.5 x 56.6 cm. On märlimisväärne, et Maran kasutab mõiste natüürmort (pr.l. surnud loodus) asemel sõna vaikelu. Enn

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Olav Maran (Estonian 1933): Vaikelu avokaadoga. 2005. Õli, lõuend. 65 x 100 cm. Käesolev vaikelu on suurem ja rikkalikum kui Maranil tavaliselt, see väljendab eriti selgelt talle omast metafüüsilist

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Olav Maran (Estonian 1933): Valged pojengid vasknõudega. 1991. Õli. Lõuend. 73 x 60 cm. Tundub, et valge pojeng on Marani lemmiklill - suureõieline, pidulik, oma puhtas valevuses natuke ebamaine. Ülal va

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Olav Maran (Estonian 1933): 1959.aastal ERKI graafikuna lõpetanud O.Maran tundis algusest peale suuremat huvi maali vastu. 1957-59.aastal tegi ta esimesed abstraktsed maalid, ent esines rohkem figuratiivses laadis tö&#

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Olav Maran (1933): Vaikelu pikali pudeliga. Õli. Lõuend. 65 x 100 cm. Esimesed abstraktsed ja sürreaalse alatooniga maalid valmisid Olav Maranil 1957–59. 1960ndate lõpupoole toimus kunstnikumaa

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Olav Maran (1933): Pojengid valge riidega. 2001. Õli. Lõuend. 70 x 60 cm. Olav Marani pojengid köidavad meid 1980-ndate algusest. Ta on maalinud ka punaseid, ent tema lemmik näib olevat valge. Se

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Olav Maran (1933): Vaikelu valge kruusiga. 1978. Õli. Lõuend. 46 x 61 cm. Kunstiõpingutega alustas Olav Maran 1953, kui asus õppima Eesti NSV Riiklikku Kunstiinstituuti graafika erialale. Ta lõp

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Malle Leis (Estonian 1940 - 2017) Orgaanilised vormid: Malle Leis näib olevat Olav Marani ja Jüri Arraku kõrval esimesi, keda hakkas huvitama orgaaniline, looklev vorm – võib-olla orgaanilise disaini, võib-olla Dali, Tanguy

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Aili Vint (Estonian 1941) Õhtune järv: 1972. aastal pööras Aili Vint selja värvikirkale op-artlikule perioodile ja üllatas publikut meisterlike töödega moodimineva hüperrealismi vaimus. Need kujutasid noo

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Johannes Saal (Estonian 1911 - 1964): Johannes Saal astus Pallasesse 1933. aastal ning esines 1934. aastal õpilaste tööde näitusel. Võimalik, et käesolev, tugevast maalijaandest kõnelev töö oli seal esitatud. Igatahes oli see tem

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Peeter Mudist (Estonian 1942 -2013): Vaatamata kunstnikku kaua vaevanud tõvele, mis muutis maalimise eneseületamise katseks, ei kadunud tema poeetiline maailmatunnetus. Valguses helendava akti pea peal korvis on tärganud &

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Ludmilla Siim-Kaasinen (Estonian 1938): Ludmilla Siimu n-ö läbilöögiteos oli “Kollane tuba” (1970, Eesti Kunstimuuseum). Enne Soome siirdumist 1977. aastal etendas ta Eesti kunstielus silmapaistvat osa, moodustades omamoodi grupi si

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Juhan Püttsepp (Estonian 1898 - 1975).: Uisutajad. 1940. Õli. Lõuend. 70 x 90 cm. J.Püttsepp õppis Pallases alates selle avamisest 1919.aasta sügisel, kuid vaheaegadega. 1927.aastal omandas ta seal joonistusõpe

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August Jansen (Estonian 1881 – 1957): A. Janseni laad muutus 1940.aastate algupoolel õhulisemaks, otsekui akvarellilikuks, koloriit heledaks, selles hakkasid valitsema sinakasrohelised ja beežikad toonid. Selles laadis lõi

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Varmo Pirk (Estonian 1913 - 1980) Jaanipäev: Sellal õppis Varmo Pirk Kõrgematel Kujutava Kunsti kursustel Tartus. Teos on tema varasema, õpinguteaegse loomingu (1938–45) tähelepanuväärsemaid kompositsioone. Ol

2021Varmo Pirk (Estonian 1913 - 1980) JaanipäevSee Sold Price

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Item Details

Description

Pidulik lillemaal tunnustatud natüürmordimeistrilt, kelle töödes on alati tunda respekti selle väikese lõigu ees maailmast, mida ta kujutab. All keskel: OM 79. Pöördel,ülal paremal: Olav Maran Suur kimp gladioole 1979 õli 100 x81. Suurus: 100 × 81 cm. Aasta: 1979 Tehnika: Õli, lõuend