Lot 0015

Ida Anton-Agu (Estonian 1904 -1993)

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Ida Anton-Agu (Estonian 1904 - 1993): Karikakrad ja rukkililled. 1930. aastate II pool. Õli, lõuend. 61 x 74.4 cm. Ida Anton-Agu oli väga hea ja omapärane lillemaalija, Ann Audovast erinev, kuid temaga võrreldav.

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Ida Anton-Agu (Estonian 1904 - 1993): Tartu. 1938. Õli, lõuend. 46 x 56.3 cm. 1935. aastal Pallase lõpetanud Ida Anton (1940. aastast Anton-Agu) oli üks koolkonna eredaid esindajaid iseäranis 1930.aastatest kuni 1

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Ida Anton-Agu (Estonian 1904 -1993): 1935.aastal “Pallase” (Ado Vabbe õpilasena) lõpetanud Ida Anton-Agu oli Tartu maalikoolkonna tüüpiline esindaja, kelle isikunäitus korraldati Eesti Kunstimuuseumis

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Aili Vint (Estonian 1941) Õhtune järv: 1972. aastal pööras Aili Vint selja värvikirkale op-artlikule perioodile ja üllatas publikut meisterlike töödega moodimineva hüperrealismi vaimus. Need kujutasid noo

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Johannes Saal (Estonian 1911 - 1964): Johannes Saal astus Pallasesse 1933. aastal ning esines 1934. aastal õpilaste tööde näitusel. Võimalik, et käesolev, tugevast maalijaandest kõnelev töö oli seal esitatud. Igatahes oli see tem

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Peeter Mudist (Estonian 1942 -2013): Vaatamata kunstnikku kaua vaevanud tõvele, mis muutis maalimise eneseületamise katseks, ei kadunud tema poeetiline maailmatunnetus. Valguses helendava akti pea peal korvis on tärganud &

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Ludmilla Siim-Kaasinen (Estonian 1938): Ludmilla Siimu n-ö läbilöögiteos oli “Kollane tuba” (1970, Eesti Kunstimuuseum). Enne Soome siirdumist 1977. aastal etendas ta Eesti kunstielus silmapaistvat osa, moodustades omamoodi grupi si

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Juhan Püttsepp (Estonian 1898 - 1975).: Uisutajad. 1940. Õli. Lõuend. 70 x 90 cm. J.Püttsepp õppis Pallases alates selle avamisest 1919.aasta sügisel, kuid vaheaegadega. 1927.aastal omandas ta seal joonistusõpe

2022Juhan Püttsepp (Estonian 1898 - 1975).See Sold Price

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August Jansen (Estonian 1881 – 1957): A. Janseni laad muutus 1940.aastate algupoolel õhulisemaks, otsekui akvarellilikuks, koloriit heledaks, selles hakkasid valitsema sinakasrohelised ja beežikad toonid. Selles laadis lõi

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Varmo Pirk (Estonian 1913 - 1980) Jaanipäev: Sellal õppis Varmo Pirk Kõrgematel Kujutava Kunsti kursustel Tartus. Teos on tema varasema, õpinguteaegse loomingu (1938–45) tähelepanuväärsemaid kompositsioone. Ol

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Kaljo Põllu (Estonian 1934 - 2010): Tuli, maa, õhk, vesi – nende nelja elemendiga on kunst ikka tegelenud. K.Põllu on püüdnud kujutleda oma teadmiste näjal ürgajaloost ja kultuuriantropoloogiast inime

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Richard Uutmaa (Estonian 1905 - 1977): Teos on fikseeritud monograafias “Richard Uutmaa.Armastades Eestimaad” (Tln. 2008, lk. 310, nr. 126). See on maalitud kargetes sinkjasrohelistes toonides. 1940. aastatel ilmnes Uutmaal sag

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Ilmar Malin (Estonian 1924 – 1994): Teos, milles võib näha Ülo Soosteri kaudset mõju. See avab sümbolistlik- poolabstraktsete teoste rea Malini 1950.aastate lõpu-1970.aastate alguse loomingus. Paremal keske

2021Ilmar Malin (Estonian 1924 – 1994)See Sold Price

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Aili Vint (Estonian 1941): Enamasti on Aili Vindi mered, mille tüünel pinnal mängib valgus, suurema formaadiga. Varasem looming opkunsti vaimus tuli kasuks peente toonigradatsioonide edasiandmisel meremaalides. A

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Johannes Greenberg (Estonian 1887 - 1951): Teose omanik oli maalija Elsa Silm-Starčenko (1925-2018), kes lõpetas ERKI 1951.aastal. Ta oli üks Greenbergi õpilasi Tallinna Riiklikus Tarbekunsti Instituudis (s.o. hilisemas ERKI-s) ning, n

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Kaljo Põllu (Estonian 1934 - 2010): Esimene mõte seda pilti nähes kandub vabamüürlusele. Kõikenägeva silma vaateväljas on kõik , mida kätkeb maailmaruum. Tasub tsiteerida Ants Juske artiklit

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Item Details

Description

Maalikunstnik ja pedagoog Anton-Agu sündis 1904. aastal Viljandimaal. Suri 1993. aastal Tartus. Lõpetas 1926 Valga Tütarlastegümnaasiumi, 1935. aastal Pallase Ado Vabbe õpilasena.Suured, elavalt maalitud pojengiõied koondavad tähelepanu interjöörilt endale. Ida Anton-Agu oli meisterlik lillemaalija, see žanr on interjööri kõrval olulisemaid tema loomingus. (M.Levin). Kõrvuti kaks nii erinevatest perioodidest pärit lillemaali ühelt ja samalt autorilt annab võimaluse huvitavaks võrdluseks, kuidas kunstniku käekiri võib justkui tundmatuseni muutuda. Just 60ndatest aastatest alates hakkas Anton-Agu tumeda- ja tõsisevõitu realistlik maalilaad muutuma üldistavamaks, heledamaks ja hoogsamaks, õhulisemaks ja päikselisemaks, justkui teatud vabanemise märgina. Ning mis siinkohal peamine – see laad muutus ka tema hilisemale loomeperioodile omaselt täppivaks, mis on iseloomulikum pigem tema maastikele ja interjööridele, nii et samas võtmes lahedatud lilli võib kindlasti pidada erandlikuks! (T.Sokmets). Pöördel, ülal vasakul, lõuendil: I.Anton-Agu. Valged pojengid. 1940.a. 57 x 70.Suurus: 57 × 70 cm Aasta: 1940 Tehnika: Õli, lõuend