Lot 0020

Nigul Espe (Estonian 1907 - 1970) Tartu Vaade

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Sirje Petersen (Estonian 1959) Näotu maastik: Kunstnik õppis Tartu Kunstikoolis aastail 1975–79 nahadisaini, 1980–82 Tartu Ülikoolis. 2001. aastal lõpetas ta Tartu Ülikooli maaliosakonna. Ta on palju esinenud n

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Andrus Johani (Estonian 1906-1941): Voorimehed vestlemas. 1940. Õli. lõuend. 46 x 55.5 cm. Teos deponeeriti nähtavasti juba 1952. aastal Tartu Kunstimuuseumi. See on fikseeritud A. Johani isikunäituse kataloogis, mis

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Rein Tammik (Estonian 1949): Poseerimas.1990. aastate lõpp. Õli. Valge lõuend. 130 x 89.5 cm. 1970. Tammik tuli eesti kunsti 1970. aasta paiku Tartu Ülikooli kunstikabinetis Kaljo Põllu ümber tekkinu

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Ülo Teder (Estonian 1923 – 2008): Vaade varemeist kerkivale Dresdenile Frauenkirche põlenud kupliga hõõguvais värvides taeva taustal. Aastail 1994-2005 kirik taastati. Teos on huvitavalt, dünaamiliselt ül

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Johannes Võerahansu (Estonian 1902 - 1980): Teos kuulus kunstniku abikaasale ja oli kaua deponeeritud Tartu Kunstimuuseumi, kus 1958. aastal korraldati Johannes Võerahansu isikunäitus koos kataloogiga. Viimases on teos fikseeritud nr

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Malle Leis (Estonian 1940 - 2017): Vaade Lõunasse II. 1994. Õli. Lõuend. 50 x 160 cm. Malle Leis lõpetas ERKI 1967. aastal Lepo Mikko õpilasena. Ta oli rühmituse ANK’64 asutajaliikmeid.Malle Leisi em

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Ida Anton-Agu (Estonian 1904 - 1993): Tartu. 1938. Õli, lõuend. 46 x 56.3 cm. 1935. aastal Pallase lõpetanud Ida Anton (1940. aastast Anton-Agu) oli üks koolkonna eredaid esindajaid iseäranis 1930.aastatest kuni 1

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Valdur Ohakas (Estonian 1925 - 1998): V.Ohakas, üks GULAG-is viibinud Tartu kunstitudengeist , suhtles pärast laagrit ,nagu teisedki, Ülo Soosteriga ning inspireeritud viimasest on selles teoses selgesti nähtav –

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Johannes Võerahansu (Estonian 1902 - 1980): Teos on 1990-2000.aaastatel olnud Tartu Kunstimuuseumis deposiidina. See oli väljas kunstniku isikunäitusel Tartu Kunstimuuseumis ja Tallinna Kunstihoones 1958.aasta veebruaris-mais, on fiks

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Arnold Vihvelin (Estonian 1892 - 1962) Pargis: Peeter Arnold Vihvelin alustas kunstiõpinguid Tartus Rudolf von zur Mühleni ja Kristjan Raua juures. Tartu Reaalkooli joonistusõpetaja Peter Barthi soovitusel astus ta 1910 Peterburi Ku

2021Arnold Vihvelin (Estonian 1892 - 1962) PargisSee Sold Price

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Ilmar Kimm (Estonian 1920 – 2011): Pärast Repini kunstiinstituudi lõpetamist Peterburis 1948. aastal asus Ilmar Kimm tööle maaliõppejõuna Tartu Riiklikus Kunstiinstituudis. Kimm oli sõjajärgsetel

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Ida Anton-Agu (Estonian 1904 -1993): 1935.aastal “Pallase” (Ado Vabbe õpilasena) lõpetanud Ida Anton-Agu oli Tartu maalikoolkonna tüüpiline esindaja, kelle isikunäitus korraldati Eesti Kunstimuuseumis

2021Ida Anton-Agu (Estonian 1904 -1993)See Sold Price

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2021Ilmar Kimm (Estonian 1920 - 2011)See Sold Price

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Johannes Uiga (Estonian 1918 – 1998): Teos kunstniku vardilikust perioodist. Uiga astus “Pallasesse” 1937.aastatl ning õppis 1939/40 Aleksander Vardi ateljees, 1946.aastal lõpetas Tartu Riikliku Kunstiinstituudi Vard

2021Johannes Uiga (Estonian 1918 – 1998)See Sold Price

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Herman Aunapuu (Estonian 1915 - 1998): Maastik valge majaga. 1967. Õli. Papp. 25 x 27 cm. 1930.aastate teisel poolel Pallases ja sõja ajal Kõrgematel Kujutava Kunsti Kursustel, seejärel Tartu Riiklikus Kunstiinstituudis

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Aili Vint (Estonian 1941) Õhtune järv: 1972. aastal pööras Aili Vint selja värvikirkale op-artlikule perioodile ja üllatas publikut meisterlike töödega moodimineva hüperrealismi vaimus. Need kujutasid noo

2021Aili Vint (Estonian 1941) Õhtune järvSee Sold Price

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Nigul Espe (Estonian 1907 - 1970) Tartu Vaade

Item Details

Description

Tartu sõjaaegsed purustused olid suured. Pallaslane Nigul Espe on loonud aastatel 1941–45 rea asjalikke ja seda mõjuvamaid õlimaale ja akvarelle varemeis linnast. Pomm ja põleng tõid Jaani kiriku interjööris lagedale seni krohviga kaetud terrakotaskulptuurid. Esimene jumalateenistus pärast restaureerimist peeti kirikus 1997. aastal. (ML) Lisaks sellele, et Nigul Espe oli viljakas linna,- olustiku- ja maastikumaalide poolest, oli ta autoriks arvukatele mööblikavanditele. Ka käesoleval tööl on Tartu Jaani kirik kujutatud pigem kui arhitektuurne kavand, mitte olemasoleva hoone jäädvustus, justkui inseneritehniline plaan sõjapurustustest räsitud pühakoja uuesti ülesehitamiseks. Selline lähenemine koos Espele omaste kirgaste värvidega lisab kogu stseenile ootamatut optimismi – tornikiivrita kirik ei ole siin nukker ohver, vaid aktiivne tuhast tõusja. (TS) All paremal: Nigul Espe 1945. Pöördel: Espe, Nigul “Tartu vaade Jaani kirikuga” õli 1944. Suurus: 55 × 71 Aasta: 1945 Tehnika:Õli, vineer