Joannes Volpato after Raphael: Pair of Prints The Expulsion of Heliodorus from the Temple

Raphael (Italian, 1483-1520): from Raphael Santivs pinx in Aedibus Vaticanis, Pair of Prints dedicated to Pio Sxto Pont Max ,engraving, c.1775, unframed. Raphael was one of, if not the, most renowned

After Raphael (Italian, 1483-1520), engraving depicting the original work exhibited in the Vatican, printed by Joannes Volpato (Italian, 1735-1803) circa 1775, 23 /2" x 30 1/2" sight, 28 3/4" x 35 1/2

Raphael (Italian, 1483-1520): from Raphael Santivs pinx in Aedibus Vaticanis, dedicated to Pio Sxto Pont Max ,engraving, c.1775, framed. Dimensions: 24.5 x 31.5" paper; 28.25 x 35.5" frame. Raphael wa

Roman Fresco. Raphael's Hours (Pair). Bas Reliefs Temple of Mars. Comprising a group of 4 antique ornament art design works on paper. 21 1/2" x 15 1/2".

Ludovicus Teseo Taurinensis. Pair of 18th century Italian architectural hand colored engravings. Vignettes of various classical figures, gods, scenes, and mythical creatures. Joannes Volpato sculptor,

Artwork portfolio filled with early engravings, prints etc.. Over (50) examples including: "Estate" by Joannes Volpato (Italy 1733-1803) from the collection of Robert W. Weir, Francesco Villamina (Ita

Roberts, after David, lithographed by Louis Haghe, Pair of Prints from The Holy Land: Obelisk of Luxor and Interior of the Temple of Aboo Simbel, both copyrighted 1846 by F. G. Moon, later hand colori

Titled " Water Gate" and "The Temple" signed to read Dorsey Potter Tyson. Printed in color by hand at one printing and without retouching. L: 5 in. H: 10 in.

Raphael Soyer (American,1899 - 1987 ) pair of numbered lithograph suites. Contain 12 lithographs each, with each print depicting an image from the Isaac Bashevis Singer stories "The Gentleman from Cra

Jackson Pollock (American, 1912-1956) A Pair of Prints from Untitled Portfolio, 1951 (printed in 1964 by Lee Krasner and the Pollock Estate) screenprints each bearing estate blindstamp and numbered 28

Claes Oldenburg (American, b. 1929) A pair of prints (Scissors Cut Out; Scissors as Monument from The National Collection of Fine Arts Portfolio), 1967 color lithographs initialled and numbered 101/14

Antique Kawase Hasui Color Woodblock Print Zojo Temple, Shiba from "Twenty Views of Tokyo" 1925 10"×14.25"

Japanese Woodblock Print, Tennoji Temple in Osaka (Osaka Tennoji), from the series "Souvenirs of Travel, Third Series (Tabi miyage dai sanshu)" 1927, 1st Edition published by Shozaburo Watanabe, with

Kawase Hasui (1883-1957), 3 Japanese Woodblocks Prints. "Honmomji Temple at Ikegami", "Yuki No Mukojima" & "Kintaibashi No Shunsho (Spring at Kintai Bridge)". See images of titles and information on t

Corita Kent (American, 1918-1986) The Sea Queen and Christy (a pair of prints) screenprints each signed in pencil largest: 19 1/4 x 22 inches. Property from The School Sisters of Notre Dame, being sol

Hollis Sigler (American, 1948-2001) There is No Future for It and Expect the Unexpected (a pair of prints), 1984 and 1994-95 lithographs each signed and numbered in pencil Largest: 18 x 24 inches. Pro

Artist: LAURA GILPIN Print Title: Temple of the Warriors, Chichen Itza, c. 1932 Medium: Sheet-fed photogravure Printed in: The USA, 1980’s Image Size: approx. 9.5 x 7” Additional Informati

[Prints] Bodmer, K(arl)., and (Jean-Francois Millet) Pair of 2 Prints Karl Bodmer and Jean-François Millet's Rare Lithographs of the Capture and Rescue of Jemima Boone and the Callaway Sist

Two magnificent signed and labeled prints by renowned Japanese landscape artist Hiroshi Yoshida (1876-1950). Yoshida was professionally schooled in art since he was 19. In 1925 he established his own

Pair of Long Silk Banners (Kaphen) Tibet, circa mid 19 century 65 in x 15 in Used for decorating pillars in a Tibetan home or in a Monastery.

Vases - 31 in H X 15 in W - Top 10.5 in Round Stands - 11.5 in Height

This beautiful botanical print comes from Louis Van Houtte's monumental work entitled Flore des Serres et des Jardins de l'Europe (Flowers of the Greenhouses and Gardens of Europe) published between 1

Reproductions * (Sight: 10 1/4" h x 7 1/4" w, Overall 17 7/8" x 14 3/4") Colors attenuated, some foxing

REMBRANDT VAN RIJN The Presentation in the Temple: Oblong Print. Etching on thin, cream laid paper, circa 1640. 215x292 mm; 8½x11½ inches, narrow margins. Biörklund's third state (of 3)