Attributed to Piero Dorazio, it does not have a COA. Medium: oil canvas. 18 x 14.5 inches. Provenance: private owner.

Biography: Since 1945 Piero Dorazio studied architecture in Rome. At the same time his first abstract works were executed. In 1947 he received a scholarship from the Ecole Nationale Supérieure des Beaux Arts in Paris, where he contacted Modern artists, who lived in Paris. He founded the galleries "Age d'Or" in Florence and Rome to represent avant-garde arts in Italy.During a one year stay in the USA he got acquainted with leading artists of Abstract Expressionism such as Marc Rothko, Robert Motherwell and Barnett Newman. At that time he also intensively studied Wassily Kandinsky's essays, whose theory of the immaterial aspects in painting influenced him strongly.In 1959 Piero Dorazio participated in the "Documenta II" in Kassel. Afterwards he accepted a teaching position at the University of Pennsylvania, where Piero Dorazio founded the Institute of Contemporary Art in 1963 and was appointed professor in 1968.In the 1960's the first compositions of ink ribbons were executed in his studio in New York, which dominated his work henceforth. After his return to Italy Dorazio moved to the former romanic cloister of Todi in Umbria. Piero Dorazio was regarded up to great age as one of the leading Italian artists of concrete colour painting.Piero Dorazio died at the age of 77 in Perugia on 17 May 2005.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Mint