1. LEE FRIEDLANDER Evergreen Tree Northern France 1972 118-2: France, 1972 6.5x9.8" Signed Gelatin Silver Print ASG# LF/1284 signed on mount below print right, numbered 57/70 on mount below print left mounted on 16x20" heavy board embossed from the Portfolio: Photographs of Flowers 15 Prints 1975 Published by Graphicstudio, Tampa, Fl. & Haywire Press, NY 1975 in a numbered of 70, a numbered edition of XX [20] and 10 artist's copies.

2. LEE FRIEDLANDER Chrysanthemums in Garden Pot, Luxembourg Gardens, Paris 1972 4.75x7.5" Signed Gelatin Silver Print ASG# LF/1603 signed on mount below print right, numbered VI/XX on mount below print left mounted on 16x20" heavy board embossed from the Portfolio: Photographs of Flowers 15 Prints 1975 Published by Graphicstudio, Tampa, Fl. & Haywire Press, NY 1975 in a numbered of 70, a numbered edition of XX [20] and 10 artist's copies.

Friedlander was inspired to photograph the gardens and trees of France by Eugene Atget's visions of the trees and gardens of Paris and France.

Lee Friedlander (1934- ) is acknowledged to be one of America's greatest photographers. His artistic genius is to structure scenes through the camera lens, playing what chief photography curator at the Museum of Modern Art, Peter Galassi, calls, a double game of light and shadow, near and far, which Friedlander wins by knitting the opposing terms together in a riotous and irregular but articulate pattern, making a whole that pulsates with life. With phenomenal mastery of his craft and often with dry wit, he has expanded the vocabulary of such traditional artistic themes as nudes, gardens, trees, self-portraits, landscapes, and cityscapes. In all his work he seems to be echoing Garry Winogrand's remark, "I photograph to find out what something will look like photographed." Andrew Smith Gallery has been working with Friedlander since 1988.

Excellent. Minor wear, wear to edges of mounts