RUSSELL LEE Bartender and owner of a tavern on the South Side, Chicago, April 1941, 9.3x7.3" on 8x10" paper Gelatin Silver print printed later ASG# RL/1238 Signed on right margin For Bill Russell Lee, mar. 13, 1979

This is a Farm Security Administration (FSA) photograph that became one of Russell Lee's classic images.

Russell Lee (1903-1986) began his study of photography in 1935, ten years after earning a degree from Lehigh University (Pennsylvania) in chemical engineering. Photography, he thought, would aid his ability as a painter studying in San Francisco and at the Woodstock art colony (New York) in the early 1930s. His career took an abrupt shift when he was invited by Roy Stryker to join the government's Historical Section of the Farm Security Administration (FSA). Lee worked from 1936 to 1943 as a prolific photographer in the FSA combining his keen sense of documentary with an engineerÂ’s precise mastery of lighting (especially flash photography). Stryker called him a "taxonomist with a camera." Besides making more FSA negatives than any other photographer, Lee was one of the first to utilize new color photography materials in his recording of people and events in Pie Town, New Mexico. After leaving the FSA, Lee continued to work for various government agencies until 1947 when Standard Oil of New Jersey hired him. His industrial images were printed in Fortune and in The New York Times. A second career spanned the years 1956 to 1973 while Lee was on the teaching faculty of the University of Missouri, and later at the University of Texas at Austin. Despite an education in engineering, Lee's images and teachings never underplayed the role of photography as an objective witness to call attention to the pride and prejudice that characterized society in the mid-1900s. Credit Luminous Lint.

Fair. Fold across print with slight cracking of emulsion in print where words we are proud flag behind bartenders, other heavy handling marks right by signature, verso in pencil Russell Lee Traveling Exhibit Bartenders, Chicago, Illinois 1941 looks very good when on the wall