Ida Rittenberg Kohlmeyer (American/New Orleans)
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Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997), "Untitled (Still Life with Ceramics and Oranges)", 1980, oil on canvas, signed and dated lower right, 49 in. x 49 in., framed . Provenance: The Estate of Caroline P. IrelandNote: “Weak representational art is art tyrannized by nature. Weak abstract art squanders itself formlessly in its own emotionalism… a painted apple, no matter how much magic realism is brought to bear upon it, is abstraction if only because of the transposition it undergoes in being made of another substance.” – Ida Kohlmeyer
In the late 1970s and early 1980s, Ida Kohlmeyer reached an artistic impasse. In order to overcome this hurdle, she created a small group of paintings revisiting various themes both traditional and innovative. The painting offered here, an abstracted still life featuring oranges and ceramics, is one of a handful of canvases created in that time period and represents a fascinating and nostalgic return to representational painting long after Kohlmeyer had abandoned it in favor abstraction. Her abstract symbolism, well-developed by this point, is carried into the classic subject matter in a way that makes the canvas instantly familiar as part of Kohlmeyer's unique visual language despite the inclusion of recognizable objects.
Ref.: Marion Koogler McNay Art Institute and Fort Wayne Museum of Art. "Paintings by Ida Kohlmeyer." San Antonio, TX: Press of Ozzie Baum, 1968.
Neal Auction Company would like to thank Jane Lowentritt for her assistance with this note.
In the late 1970s and early 1980s, Ida Kohlmeyer reached an artistic impasse. In order to overcome this hurdle, she created a small group of paintings revisiting various themes both traditional and innovative. The painting offered here, an abstracted still life featuring oranges and ceramics, is one of a handful of canvases created in that time period and represents a fascinating and nostalgic return to representational painting long after Kohlmeyer had abandoned it in favor abstraction. Her abstract symbolism, well-developed by this point, is carried into the classic subject matter in a way that makes the canvas instantly familiar as part of Kohlmeyer's unique visual language despite the inclusion of recognizable objects.
Ref.: Marion Koogler McNay Art Institute and Fort Wayne Museum of Art. "Paintings by Ida Kohlmeyer." San Antonio, TX: Press of Ozzie Baum, 1968.
Neal Auction Company would like to thank Jane Lowentritt for her assistance with this note.
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Ida Rittenberg Kohlmeyer (American/New Orleans)
Estimate $15,000 - $25,000
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