Gabriele Munter German Expressionist Watercolor
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Description
Watercolor on paper. Featuring a portrait scene of several figures. Entitled, "A la Fragonard" on the lower left corner and initialed with monogram Gm on the lower right corner. Inscribed Gabriele Munter 1877-1962 on the upper right corner in pencil. Attributed to Gabriele Munter (1877-1962, German). 23 x 18 cm (9.0 x 7.0 inches). PROVENANCE: Upper New York estate
Gabriele Münter (1877-1962) was a German Expressionist painter best known for her poetic stylization of landscapes, self-portraits, and domestic interiors. Rendered in rich colors, simplified forms, and bold lines, Münter’s work Breakfast of the Birds (1934), conveys a quietly intense atmosphere of solitude and reflection. “After a short period of agony, I took a great leap forward from copying nature, in a more or less Impressionist style, to feeling the content of things,” she once reflected. Born on February 19, 1877 in Munich, Germany, she studied at the city’s progressive Phalanx School, under the famed Russian painter Wassily Kandinsky. Kandinksy later became her lover, and often appeared in her paintings, including the hallmark work Boating (1910). In 1911, Münter, Kandinsky, Alexej von Jawlenksy, and Franz Marc founded the Expressionist group Der Blaue Reiter. Their group championed the connection between visual art and music, the work of Henri Rousseau, spiritually-based color theory, and Bavarian folk art. Despite the end of her relationship with Kandinsky, Münter’s work continued to evolve throughout the following decades. She died on May 19, 1962 in Murnau am Staffelsee, Germany. Today, the artist’s works are held in the collections of the National Museum of Women in the Arts in Washington, D.C., the Milwaukee Art Museum, the Lenbach House in Munich, and The Museum of Modern Art in New York, among others.
Gabriele Münter (1877-1962) was a German Expressionist painter best known for her poetic stylization of landscapes, self-portraits, and domestic interiors. Rendered in rich colors, simplified forms, and bold lines, Münter’s work Breakfast of the Birds (1934), conveys a quietly intense atmosphere of solitude and reflection. “After a short period of agony, I took a great leap forward from copying nature, in a more or less Impressionist style, to feeling the content of things,” she once reflected. Born on February 19, 1877 in Munich, Germany, she studied at the city’s progressive Phalanx School, under the famed Russian painter Wassily Kandinsky. Kandinksy later became her lover, and often appeared in her paintings, including the hallmark work Boating (1910). In 1911, Münter, Kandinsky, Alexej von Jawlenksy, and Franz Marc founded the Expressionist group Der Blaue Reiter. Their group championed the connection between visual art and music, the work of Henri Rousseau, spiritually-based color theory, and Bavarian folk art. Despite the end of her relationship with Kandinsky, Münter’s work continued to evolve throughout the following decades. She died on May 19, 1962 in Murnau am Staffelsee, Germany. Today, the artist’s works are held in the collections of the National Museum of Women in the Arts in Washington, D.C., the Milwaukee Art Museum, the Lenbach House in Munich, and The Museum of Modern Art in New York, among others.
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Gabriele Munter German Expressionist Watercolor
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