Oil on canvas. Featuring abstract composition with blue, yellow, black and red blocks being crossed by thick, bold black lines. Signed and in the manner of Piet Mondrian (Dutch, 1872-1944). 21.3 x 15.4 in. (54 x 39 cm). Piet Mondrian was a Dutch artist famous for his iconic Composition series of grid paintings composed of black lines, white grounds, and primary colors. In Broadway Boogie-Woogie (1942–1943), Mondrian represented New York’s streets as a series of squares and lines in an attempt to capture the rhythmic vitality of the city. “I wish to approach truth as closely as is possible, and therefore I abstract everything until I arrive at the fundamental quality of objects,†he once reflected. Born Pieter Cornelis Mondriaan on March 7, 1872 in Amersfoort, Netherlands, the artist studied at the Rijksakademie van Beeldende Kunsten in Amsterdam. Prior to his move to Paris in 1911, Mondrian painted naturalistic depictions of trees, still lifes, and windmills. Influenced by avant-garde practices of the day, such as Cubism and Pointillism, as well as Eastern mysticism, Mondrian became increasingly interested in discovering the underlying spiritual qualities of nature through abstraction. He went on to become a founding member of the De Stijl movement alongside Theo van Doesburg, who also sought to simplify form and distance himself from depicting objects. Mondrian published numerous texts during his life, including a book on what he called Neo-Plasticism, which influenced a generation of abstract artists. He died on February 1, 1944 in New York, NY at the age of 71. Today, the artist’s works are held in the collections of The Museum of Modern Art in New York, the Rijksmuseum in Amsterdam, the Tate Gallery in London, and the Carnegie Museum of Art in Pittsburgh, among others. PROVENANCE: Private Collection (Central Europe)

All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .

All authorship of items in this catalog are described according to the following terms:

By [Artist Name] : In our opinion, the work is by the artist.

Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature : In our opinion, the signature on the artwork may be spurious.
Apocryphal : Of doubtful authenticity.