Oil on canvas, framed. Featuring an expressionist landscape painting of two figures in the forest. Signed and attr. Ernst Ludwig Kirchner (German, 1880-1938) on the upper left corner. 49.5 x 34 cm (19.5 x 13.4 in) (framed 59 x 44 cm, 23 x 17.3 in). Ernst Ludwig Kirchner was a German Expressionist artist known for his paintings and prints. Using lively brushwork, stylized forms, and vivid colors, he depicted portraits, landscapes, and city scenes as seen in his seminal painting Street, Dresden (1908). “A painter paints the appearance of things, not their objective correctness,†he mused. “In fact he creates new appearances of things.†Born on May 6, 1880 in Aschaffenburg, Germany, he studied architecture at the Königliche Technische Hochschule in Dresden before turning painting. Finding inspiration in the works of earlier German artists such as Albrecht Dürer, he was profoundly influenced by the expressive use of color in the work of Vincent van Gogh and Edvard Munch. Like the French avant-garde, Kirchner incorporated aesthetic attributes of traditional African and Oceanic art into his developing style. In 1905, he helped to found the Die Brücke group, along with Fritz Bleyl, Karl Schmidt-Rottluff, and Erich Heckel. This group acted as a collaborative workspace in Dresden where he and his colleagues led a bohemian lifestyle which included nudity, polyamorous relationships, and a reverence for freedom. Plagued by troubled mental health throughout his life, Kirchner committed suicide on June 15, 1938 in Frauenkirch, Switzerland. Today, his works are included in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the Städel Museum in Frankfurt am Main, and the Albertina in Vienna, among others. PROVENANCE: Southern Ontario estate

All authorship of items in this catalog are described according to the following terms:

By [Artist Name] : In our opinion, the work is by the artist.

Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature : In our opinion, the signature on the artwork may be spurious.
Apocryphal : Of doubtful authenticity.