Oil on canvas. Featuring an abstract composition. Artist's name on verso. 53 x 59 cm (20.9 x 23.2 inches). Gerhard Richter is a contemporary German painter considered among the most influential living artists. Richter’s experiments with abstraction and photo-based painting greatly contributed to the history of the medium. Culling from his vast image archive known as the Atlas, Richter’s paintings reference images of his daughter Betty, flickering candles, aerial photographs, portraits of criminals, and pastoral landscapes. “Pictures are the idea in visual or pictorial form,†he reflected. “And the idea has to be legible, both in the individual picture and in the collective context.†Born on February 9, 1932 in Dresden, Germany during the rise of the Nazi regime. After World War II, living in East Germany under Soviet rule, Richter learned to produce of highly realistic Socialist Realist murals. In 1961, Richter fled to West Germany, where he studied at the Kunstakademie Düsseldorf alongside Sigmar Polke. During this time, the artist first began producing blurred photo-paintings. The works explore the conflicting nature of an image’s formal make up and the content it contains. Richter introduced abstraction to his repertoire in the following decades, analyzing painterly expression through a technique of squeegeeing paint over the canvas. In 2012, Richter set a record auction price for a painting sold by a living artist, with his Abstraktes Bild (809-4) (1994) which went for $34 million. He broke this twice again, first in 2013 with Domplatz, Mailand (Cathedral square, Milan) (1968) selling for $37.1 million, then in 2015 by the sale of Abstraktes Bild (1986) for $44.52 million. The artist currently lives and works in Cologne, Germany. Today, his works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the Tate Gallery in London, and the Albertina in Vienna, among others. PROVENANCE: Private collection (Central Europe)

All authorship of items in this catalog are described according to the following terms:

By [Artist Name] : In our opinion, the work is by the artist.

Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature : In our opinion, the signature on the artwork may be spurious.
Apocryphal : Of doubtful authenticity.