after David Martin, rare, scratch-letter proof, A. Ferguson inscribed in pencil, below, as on the only copy seen by Chaloner Smith, mezzotint, 390 x 285mm., on wove paper with wide margins, watermarked 1793, some spotting and browning, [C.S.7], 1769 (but later 18th century); with a small, mixed, group of other male portraits, including 4 further mezzotints comprising Thomas Beckwith of York, Painter, by Humphrey aftr Quadal [C.S.2], Richard Cooper, Painter, after Schroider [C.S.23], John Hough, Lord Bishop of Coventry, by Ryley after Williams [C.S.24], and Edward Berry in the Character of Dominic, in the Spanish Fryer, by Houston after Worlidge [C.S.10]; along with 3 etched head studies, also by Thomas Worlidge, a group of 9 soft-ground etchings of gentlemen by Daniell after Dance, 1809-14, etched portrait of Francis Jeffrey, by Andrew Geddes [D.8 xii], Salvator Mundi, mezzotint by John Smith, stipple-engraving of George John, Earl Spencer, by Meyer after Wright, and 2 studies from Cook's Second Voyage of Man of Easter Island and Man of the Island of Tanna, by Bartolozzi and Basire, respctively, after Hodges, 1777 (22)