after Francis Wheatley for the Cries of London, stipple-engraving 415 x 320mm., trimmed on or just within the upper and side platemarks, the sheet backed, Colnaghi & Co., 1795; with a small, mixed, group of other female portraits, social and other figure groups, including 2 further stipple-engravings of Narcissa, by John Raphael Smith, and The Sempstress (Henrietta Vernon, later Countess of Warwick), by Cheesman after Romney, this with 3 collectors' inkstamps [Lugt 1873c, 2757a, and unknown], also 3 mezzotints of The Virgin Mary, by Smith after Bourdon, Russian Lady , by Purcell (Corbutt) after Ramsay [C.S.88], and [Miss Beatson], by Elizabeth Judkins after Catherine Read, with Alexander Runciman's Fingal Encounters Carbon Carglass, an anonymous oval etching of a Scottish folk dance, an 18th century reversed copy of Wynkyn de Worde's Fyshing wyth an Angle, the small pair of Cipriani's Orpheus & Eurydice and Venus & Cupids, John Bell's study of two skulls, and Chapman's allegory of Mechanics, and a late issue of A View of the Grand South Walk in Vaux Hall Gardens, by Muller after Canaletto (14)