Description: Oil on canvas painting of a "Floral Arrangement in a Copper Kettle". Painting is well executed and typical of the work Wood produced using copper vessels as a vase for floral arrangements, all completed in the 1920's. The subject conforms to his country/farm idealism.Carved and gilded original frame dated 1924 by Walfred Thuliin born 1878 in Sweden. Thulin came to America at the age of 22 as a talented wood carver who soon affiliated himself with Herman Dudley Murphy. In 1912 he opened his own shop on Boylston Street in Boston; here he worked until the end of his life in 1949. He was involved in the creation of many churches in his lifetime, and was closely associated with architect Ralph Adams Cram. He is responsible for the altar cross in the Cathedral of St. John the Divine in New York City, and his signature is found in many trays, chests, candle sticks, and, of course, frames which he designed for leading artists (such as John Singer Sargent).His work can be found in the top museums in the country.

History: One of the major American Regionalist painters along with Thomas Hart Benton and John Steuart Curry, Grant Wood was born in Anamosa, Iowa, and spent his childhood in Cedar Rapids. Unlike Curry and Benton, he never moved East but remained in the Middle West where he found inspiration for his paintings of prosperous farms and people reflecting idealized American values. However, his work was set apart from many regionalists in that provoked both laughter and social indignation. A good example Daughters of Revolution, 1932, depicting the aloof smugness of women who regarded themselves as emblematic of the country's founding values This painting was a retaliation by Wood against DAR members who had criticized him for completing their window in Germany instead of America. Much of his satire was good natured and humorous. For two summers, Wood attended the Minneapolis School of Design and Handicraft and Normal Art as a student of Ernest Batchelder, and he had brief times of study at Iowa State University and the Art Institute of Chicago from 1913 to 1916. After World War I, he taught high school art in Cedar Rapids. Asserting that he "had to go to France to appreciate Iowa," he had several trips abroad, and in 1923 enrolled in the Academie Julian in Paris, but he determined to make his life in Iowa because "all the really good ideas I'd ever had came to me while I was milking a cow." In 1932, he was co-founder of the Stone City Art Colony and Art School and he became director of the Public Works Art Project in Iowa. He was also an Associate Professor of Fine Arts at the University of Iowa. His work can be divided into two periods, the first being views of Cedar Rapids, other landscapes including scenes of Europe, and a few portraits. However, in 1928, his work changed when he traveled to Munich to oversee the making of a stained-glass window for the Cedar Rapids Veterans Memorial Building commissioned by the Daughters of the American Revolution. Seeing the severe, austere new style of painting in Germany combined with work from the late Gothic period, he developed a unique new style of his own that treated mid-western subjects with Gothic overtones, satire, and caricature. In 1930, he produced his first major landscape painting, Stone City, that had exaggerated perspective and unique naive treatment. From that time, his paintings had a simple innocence and fantasy that transported the viewer into another world, often that of a child. He also did many murals and a few lithographs, completing nineteen between 1937 and 1942, the year he died of cancer at age 50 in Iowa City.

Provenance: NY Collector

Dimensions: Weight (Pounds & Ounces) = 16 | Height(in) = 32.5 | Width(in) = 32.5 | Depth(in) = 2

Size of Artwork(in): 28 x 28' sight.

Artist Name: Grant Wood(1891-1942)

Medium: Oil on Canvas

Circa: C. 1924

Unlined, extremely minor in-paint. Original frame with only very minor losses.