Description: Carved pine, some original paint, some areas of later paint. Figure features include a feathered headdress, similar feathered skirt, integrated wood base.

History: The cigar store Indian or wooden Indian is an advertisement figure, in the likeness of a Native American, used to represent tobacconists. The figures are often three-dimensional wooden sculptures several feet tall, up to life-sized. They are still occasionally used for their original advertising purpose, but are more often seen as decorations or advertising collectibles, with some pieces drawing sales prices of up to $500,000. People within the Native American community often view such pieces as a caricature or as depictions that perpetuate stereotypes, drawing an analogy to the African-American lawn jockey.Because of the general illiteracy of the populace, early store owners used descriptive emblems or figures to advertise their shops' wares; for example, barber poles advertise barber shops, show globes advertised apothecaries and the three gold balls represent pawn shops. American Indians and tobacco had always been associated because American Indians introduced tobacco to Europeans and the depiction of native people on smoke-shop signs was almost inevitable. As early as the 17th century, European tobacconists used figures of American Indians to advertise their shops. Because European carvers had never seen a Native American, these early cigar-store "Indians" looked more like black slaves with feathered headdresses and other fanciful, exotic features. These carvings were called "Black Boys" or "Virginians" in the trade. Eventually, the European cigar-store figure began to take on a more "authentic" yet highly stylized native visage, and by the time the smoke-shop figure arrived in the Americas in the late 18th century, it had become thoroughly "Indian."

Provenance: FL estate

Dimensions: Weight (Pounds & Ounces) = 60 | Height(in) = 55 | Width(in) = 24 | Depth(in) = 22

Size of Artwork(in): 55 x 24 x 22"

Artist Name: Unknown

Medium: Pine, paint.

Circa: C. 1890

Wood losses, deterioration mainly at the base, paint loss.