Drawing From The Series Stage Costumes Erte. Auction
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Drawing from the series Stage costumes Erte.
Drawing from the series Stage costumes Erte.
Item Details
Description
Drawing from the Stage Costumes series. Mixed graphic technique. Installed in a frame under glass. Signed in ink: Erte. Size without frame: 34 x 25.5 cm. Width: 38cm, Height: 46cm, Depth: 2cm, Weight: 0.6kg, Condition: Good, Material: Wash and watercolor on paper
Condition
Good
Dimensions
46 x 38 x 2 cm
Weight
0.6 kg
Buyer's Premium
  • 30%

Drawing from the series Stage costumes Erte.

Estimate €200 - €400
Starting Price

€150

Starting Price €150
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Item located in Riga, Riga, LV
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ANTIQON

ANTIQON

Riga, Latvia
5 Reviews
150 Followers

Live Fine and Applied Art Auction 9 - Part I

May 18, 2024 5:00 AM EDT|
Riga, Riga, LV
View Auction
B. Kustodiev. Sketch of the pavilion or Abundance panel. 1920s. Watercolor, pencil.: B. Kustodiev. Sketch of the pavilion or Abundance panel. 1920s. Watercolor, pencil. It represents a project of Soviet abundance, where a young peasant woman, in the center of the panel, holds above
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Ivan Aivazovsky. Watercolor. Crimean harbor. 1817-1900: Ivan Konstantinovich Aivazovsky. 1817-1900. Watercolor. Crimean harbor. Shows a view of a sea bay with a parking lot of Russians, warships, fishermen catching their catch, against the backdrop of a
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A.N. Mordvinov. Seascape. 1849.: A.N. Mordvinov. Seascape. 1849. A romantic seascape with a damp, changeable sky, fishing boats on the shore and sails at sea. Conveys the atmosphere of an elegiac pause. Signature in the lower right
May 18, 2024A.N. Mordvinov. Seascape. 1849.
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ALEXEY PETROVICH BOGOLYUBOV (1824-1896). Astrakhan. Admiralty.: Alexey Bogolyubov. Astrakhan. Admiralty. A variant of the work of the same name from the collection of the Russian Museum, the reason for which was the shipyards of Astrakhan. It is a documentary and
May 18, 2024ALEXEY PETROVICH BOGOLYUBOV (1824-1896). Astrakhan. Admiralty.
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Simeon Fedorov. Landscape Summer day. Second half of the 19th century.: Simeon Fedorov (1867-1910). Landscape Summer day. Subtly conveys the atmosphere of a hot summer day, where the warm Russian sun shines along the banks of the river with the aromas of herbs and the
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Alexandra Egorovna MAKOVSKY. Edge of the Forest (1887): Alexandra Egorovna MAKOVSKY (1837-1915). The edge of the forest (1887). Depicts a pause in nature - a summer country road after a rain, against the backdrop of a pine forest, where behind it, a
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Painting Spring. I. Pokhitonov.: Painting Spring from the series Alder has blossomed. At the bottom right is the signature in Cyrillic and Latin I. Pokhitonov. I.Pohitonow. Presumably 1890s. The painting depicts early spring with
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A. Stepanov. Seascape. Mooring a ship in a stormy sea. Second half of the 19th century.: A. Stepanov. Seascape. Mooring a ship in a stormy sea. Dedicated to the confrontation between man and the elements, where sailors on a boat are trying to bring mooring lines to the pier. They need to
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Erotic canvas MORNING AFTER THE WEDDING. Ivan Ivanovich SOKOLOV. 1876: Rare for Russian art erotic plot from Ivan Sokolov - MORNING AFTER THE WEDDING. Depicts a scene of voyeurism behind a lad and a maiden in the hayloft. Their chaste discoveries captivate the
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L. Libert. View of Paris from the Seine.: Ludolf Liebert (1885-1959). View of Paris from the Seine. 1930-1950. Oil on canvas. A poetic view of a secluded corner of Paris from the river, with a voluminous atmosphere of air and the contrasting
May 18, 2024L. Libert. View of Paris from the Seine.
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Winter landscape with a view of a Russian village. 19th century.: Winter landscape with a view of a Russian village. The genre element is represented by: firewood going to the village and the figure of a man with a white cat in the middle of the work. Russian
May 18, 2024Winter landscape with a view of a Russian village. 19th century.
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Julius Klever son. Still life of Chrysanthemums. 1920: Julius Klever son. Still life of Chrysanthemums. 1920 Three voluminous buds of white chrysanthemums are depicted against a picturesque brown-ocher background of a receding landscape. Cardboard, oil.
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I. Balandin. 1958 year. Pushkin in Mikhailovsky.: I. Balandin. 1958 year. Pushkin in Mikhailovsky. Pushkin is depicted as inspired at work in the interiors of a manor house in Mikhailovsky. Unframed size: 103 x 94 cm. Width: 106cm, Height: 116cm,
May 18, 2024I. Balandin. 1958 year. Pushkin in Mikhailovsky.
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Maximilian Maxolli. Still life with peonies.: Maximilian Maxolli. An optimistic and life-affirming canvas, with gentle: blue and lilac veil colors. Fresh and delicate painting - still life with peonies in a turquoise vase. Signed M. Maksolly, in
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Seascape Stormy sea with sailboats. 18th, 19th century.: Seascape. Stormy sea with sailboats. It betrays the atmosphere of a rushing sky and sea, where a ray of sun catches the bubbling splashes of waves and ships maneuvering in them. Canvas, oil. 18th,
May 18, 2024Seascape Stormy sea with sailboats. 18th, 19th century.
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Edmond VAN COPPENOLLE. Still life with lilacs. France. 19th century.: Edmond VAN COPPENOLLE (1843-1915). Still life with lilacs and roses. A dynamic, diagonal composition of branches of freshly cut lilacs and yellow roses, in a clay pot with green glaze. Set against
May 18, 2024Edmond VAN COPPENOLLE. Still life with lilacs. France. 19th century.
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RENAULT Fernand Albert (1887-1939). Couple in love. Under the canopy of trees.: RENAULT Fernand Albert (1887-1939). Couple in love. It represents a symbiosis of classical themes, Fauvian technique and impressionistic relationships in the painting of neo-traditionalism of the
May 18, 2024RENAULT Fernand Albert (1887-1939). Couple in love. Under the canopy of trees.
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Bather in sunny shade, in the manner of Pierre-Auguste Renoir (1841-1919).: Bather in sunny shade. In the manner of Pierre-Auguste Renoir (1841-1919). Depicts a half-naked girl in the greenery of nature, where the sun’s glare plays on the rounded shapes of her body. Signed
May 18, 2024Bather in sunny shade, in the manner of Pierre-Auguste Renoir (1841-1919).
€1,000
EMIL BAYES (EMILE BAES). 1889-1953. Nude on a canape.: EMIL BAYES (EMILE BAES). 1889-1953. Nude on a canape . Light captivating work a la prima, depicting a young lady lying in pillows on a couch. Her naked, somewhat twisted body with a face turned away
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Portrait of a noble lady in a cherry dress with gloves and a prayer book. The turn of the 16th-17th: A ceremonial portrait of a noble lady in a cherry dress with lace and open shoulders. An image of fading youth with gloves and a prayer book in the spirit of Elizabeth of England. The turn of the
May 18, 2024Portrait of a noble lady in a cherry dress with gloves and a prayer book. The turn of the 16th-17th
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