From the Estate of Jerry and Connie Wald, Scrapbook Album, titled '1933'. Half calf on red cloth covers, with gilt title and embellishments on spine. A scrapbook comprising a multitude of newspaper clippings, articles by and about Jerry Wald, collected and pasted into the album along with numerous telegrams, typewritten and handwritten letters, invitations, postcards. Items inside appear date from c1931- c1933. Signed letter from Walter Winchell, handwritten note from William Fox (namesake of 20th Century Fox), Kate Smith, Leo Reisman; telegrams from Rudy Vallee, Guy Lombardo. Many handwritten notations. A plethora of interesting memorabilia. The son of a dry goods salesman, Jerry Wald was the go-getting Hollywood writer-producer of popular imagination: charismatic, ambitious, shrewd, frequently brilliant, and filled with a nervous energy driving him from one project to another. An avid reader, with an innate sense of literary judgement, Wald began in the industry in 1929 as a radio columnist with a less-then-glamorous publication, The New York Evening Graphic. At the same time, he completed his studies in journalism at New York University. Before long, his skills as a writer for popular radio stars, such as crooner Russ Columbo, led to further work writing short features for RKO which, in turn, attracted the attention of Warner Brothers. Signed to a contract in 1934, Wald started as a screenwriter, often in collaboration with Julius J. Epstein, Mark Hellinger or Richard Macaulay. He worked on such seminal film noir as The Roaring Twenties (1939), Torrid Zone (1940) and They Drive by Night (1940), his role being essentially that of the 'ideas man', who comes up with a catchy title, original storyline, twists and plot devices. Never without pad or pencil, Wald constantly brainstormed ideas. He eventually acquired a reputation of being able to promote a picture before it had even left the drawing board. Once he had a clear vision, shooting could well commence within a week. In keeping with his credo, that there were "no washed-up actors, only washed-up stories", he rejuvenated the careers of some of Warner's biggest female stars by casting them in some of the best-written films of the period: Joan Crawford in Mildred Pierce (1945) and Humoresque (1946); Claire Trevor - in Key Largo (1948); and Jane Wyman - in Johnny Belinda (1948).
Measurements: Approx: 9.875 x 12.5 x 2.625 inches Condition: Very good condition, light wear to covers. Pages have yellowed and the articles are rippled and occasionally discolored from the glue, creases and age-related wear.

Very good condition, light wear to covers. Pages have yellowed and the articles are rippled and occasionally discolored from the glue, creases and age-related wear.