According to Akan myth, in the distant past a woman named Akua could not conceive. Akua sought first the spiritual reason for her infertility. She went to a diviner (a person with the power to use invocation and manipulation of spiritual entities, potent objects, and herbal mixtures to intercede with the gods on behalf of the people). He told her to commission a carver to create for her a wooden child and to care for that child as though it were her own. Akua did as she was told and within a few months, she conceived. Among the Akan peoples, women who had trouble becoming pregnant might utilize one of these figures in the same way Akua did, if a diviner—after ritual prophecy—ascertained that it might be helpful. A carver would then create a figure for her and she would carry it on her back, offer it symbolical food and drink, and honor it on a shrine in her home until she conceived a child (ba). The figure could be gifted to another female family member if she, too, sought spiritual help to bear a child. Akua’ba figures were important fertility aids among Akan-speakers in Ghana in the past. They depict an abstracted female form in wood and were created by male carvers. While this figure is called Akua’ba (Akua’s child), it is clearly not meant to resemble a child. Rather, it depicts a highly abstracted and idealized woman in the prime of life (example above left). African art almost always depicts figures in their prime. This time, just after puberty, when young people are generally healthy, strong, initiated, and fertile, is when humans are most ripe with potential—they have the knowledge to successfully pursue adulthood and the physical maturation to marry and procreate. For new parents, this is the stage one hopes for one’s child, especially since high infant and childhood mortality rates remain a formidable reality. The figure is also always female, since Akan culture is matrilineal.