Lot 0087

1880 Chromolithograph of Ferret, Sable, etc., Johnson

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Australia - 1894 Lot 10 Prints of Opossum by Lydekker: Also Mice, Daysure etc. Chromolithographs Published 1894, London for "A hand-book to the Marsupialia and Monotremata" By Richard Lydekker. Part of the Allen's Naturalist's Library series. Paper Size:

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Amateur Gardening 1896 Lot of 6 Botanical Prints: Incl Rose, Peony, Iris etc. Chromolithographs Published 1884-Present for "Amateur Gardening for Town and Country" by Various. Paper Size: 12 x 8.5 inch (30 x 22cm) Good Condition overall

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Vanity Fair Prints 1873 Lot of 18 Spy etc Cartoons: Chromolithograph Published 1869-1914, London for "Vanity Fair" Paper Size: 14 x 9 inch (36 x 23cm) Approx. Good Condition

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Vanity Fair Prints 1871 Lot of 22 Spy etc Cartoons: Chromolithograph Published 1869-1914, London for "Vanity Fair" Paper Size: 14 x 9 inch (36 x 23cm) Approx. Minor faults in parts. Good Condition overall

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Vanity Fair Prints 19th Cent. Lot of 17 Spy etc Cartoons: Chromolithograph Published 1869-1914, London for "Vanity Fair" Paper Size: 15 x 10 inch (38 x 26cm) Approx. Minor faults in parts. Good Condition overall

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Vanity Fair Prints 19th Cent. Lot of 22 Spy etc Cartoons: Chromolithograph Published 1869-1914, London for "Vanity Fair" Paper Size: 15 x 10 inch (38 x 26cm) Approx. Moderate faults in parts, most with just very minor faults

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Kingsley, Charles 1905 Lot of 11 Sea Life Prints. Anemones etc: Chromolithograph Published 1905, London for "Glaucus or Wonders of the Shore" by Charles Kingsley. Paper Size: 7.5 x 5 inch (19 x 13cm) Good Condition

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Vanity Fair Prints 1869 Lot of 12 Spy etc Cartoons: Chromolithograph Published 1869-1914, London for "Vanity Fair" Paper Size: 14 x 9 inch (36 x 23cm) Approx. Good Condition

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Wilson, Alexander 1877 Pair of American Bird Prints. Owls etc: Chromolithograph Published 1877, London for "American Ornithology; or, The Natural History of the Birds of the United States" by Alexander Wilson, Charles Lucien Bonaparte and William Jardine. Paper S

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Miles, W. J. C1895 Lot of 3 Prints. Horse Racing etc: "Isinglass, Winner of the Derby, The Two Thousand Guineas and the St. Leger, 1893" Plus two others. Steel Engravings & Chromolithograph Published C1895, London for "Modern Practical Farriery" by W. J.

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Wilson, Alexander 1877 American Bird Print. Roseate Spoonbill etc: Chromolithograph Published 1877, London for "American Ornithology; or, The Natural History of the Birds of the United States" by Alexander Wilson, Charles Lucien Bonaparte and William Jardine. Paper S

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Naftel, Maud 1886 Lot of 3 Botanical Prints. Roses etc: Chromolithograph Published 1886, London for "Flowers and How to Paint Them" by Maud Naftel. Paper Size: 7.5 x 5 inch (19 x 13cm) Good Condition

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Wilson, Alexander 1877 American Bird Print. Great Horned & Barn Owl etc: Chromolithograph Published 1877, London for "American Ornithology; or, The Natural History of the Birds of the United States" by Alexander Wilson, Charles Lucien Bonaparte and William Jardine. Paper S

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Johnson & Exley 1812 Pair of Anatomy Prints. Stomach, Organs etc: Copper Plate Pulished 1812, London for "The Imperial Encyclopaedia; Or, Dictionary of the Sciences and Arts" by William Moore Johnson & Thomas Exley. Paper Size: 10.5 x 8.5 inch (27 x 22cm) Good Condi

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Ratzel, Friedrich 1898 Pair of Prints. Weapons etc of Malaya, Persia & India: Chromolithograph Published 1896-98, London for "The History of Mankind" by Professor Friedrich Ratzel. Translated by A. J. Butler. Reverse side blank. Paper Size: 9.5 x 6 inch (24 x 16cm) Good Conditi

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Gordon, W. J. C1900 Antique Bird Print. Extinct Great Auk etc: Chromolithograph Published C1900, London for the "Our Country's" Series by W. J. Gordon. Paper Size: 7.5 x 5 inch (19 x 13cm) Some maegin marks, otherwise Good Condition

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1880 Chromolithograph of Ferret, Sable, etc., Johnson

Item Details

Description

From “Johnson’s Household Book of Nature,” by Henry J. Johnson, published 1880. Lovely image. Plate XIX – Carnivora: Ferret, Ermine, Weasel, Sable, Pine Martin, Ratel, Pole Cat and Skunk. Due to the high level of technical and artistic expertise required, chromolithographs were never widely used, which makes their availability quite uncommon. The process involved visually breaking down each area of color in an original painting by hand rendering that color onto a stone, then inking and transferring the image—one color at a time—to a sheet of paper. As many as two dozen separate plates could be involved, depending on the image. Because a graphics artist had to create a series of new images from the original painting, the resulting chromolithograph is considered a separate and distinct work of art. Clean and sharp on good paper. 5.625 x 8 on 7 x 9.5 heavy paper.

Reserve: $40.00

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