Painting by Ethel Edwards, Pegasus.LABEL ON RFVERSE,SEE RECENTLY UPLOADED PHOTOS TO THE LEFT.
Restoration over less than 5% of the surface.

Sight to mat: 32 inches x 24.25 inches
Total Dimensions with frame: 33.75 inches x 26 inches

This work is from a group of paintings originally given to the Art Students League of NY for sale by the family of Ethel Edwards and Xavier Gonzalez after their passing. Both Edwards and Gonzalez were teachers at the Art Students League of NY.

Ethel Edwards, (1915 to 1999), was an American painter, collage artist, illustrator, and muralist born in Opelousas, Louisiana and died on January 24, 1999. In 1933 she entered Newcomb College in New Orleans where she studied with Xavier Gonzalez. She married Gonzales in 1936 in Alpine, Texas, where he had conducted a summer art colony for several years. They continued the summer art school until 1936 when Xavier took a leave of absence to live in France. Returning to Alpine with her husband in late 1937, Edwards won a national competition to paint a post office mural, Afternoon on a Texas Ranch, for Lampasas, Texas. In 1942 she completed a mural, Life on the Lake for the post office in Lake Providence, Louisiana. During the World War II war years Edwards and Gonzales moved to New York City where they both taught at the Art Students League and she did fashion illustrations for Town & Country and Fortune magazines. From 1942 to 1949, the couple lived in New York City and spent summers at Wellfleet, Massachusetts on Cape Cod. Edwards later taught at the Truro Center of the Arts, an art school located in Truro, Massachusetts. The Xavier Gonzalez and Ethel Edwards Travel Grant given by The Art Students League of New York was first awarded in 2002; it provides stipends to artists for travel in Spain. Edwards was an instructor at the Art Students League. Her papers can be found in the Archives of American Art in the Smithsonian Institution in Washington D.C. Two of her paintings are owned by the United States Bureau of Reclamation.

Good overall condition. However, having said that, this statement should not be taken as a guarantee of any kind. The responsibility for examining and determining the exact condition of the item in the auction falls on the purchaser. There is exhibition time for a potential purchaser to come by and examine the items and ask questions. All items are sold as is. The phrase 'good conditional overall' should not be taken as a guarantee that there is no restoration, repair, or damage of any kind. This determination must be made by the buyer. The David Killen Gallery is not responsible for any goods left in the auction house 30 days after the purchase date.