Lot 0011

John Austin Monks Sheep Farm Painting

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John Austin Sands Monks Flock of Sheep Painting: John Austin Sands Monks Massachusetts, Illinois,1850-1917 Depicts a flock of sheep in a fenced in field bathed in early morning light. Monks studied etching and painting under George Nelson Cass and G

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John Reilly Sheep Farm Oil Painting: Approx 14 1/2" x 24"

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John Reilly Sheep Farm Oil Painting: Apprx 12" x 20 1/2"

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John Reilly Sheep Farm Oil Painting: Oil on board painting is approx 18 1/4" x 24"

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JOHN AUSTIN SANDS MONKS (Massachusetts/Illinois, 1850-1917), Landscape with sheep., Oil on canvas,: JOHN AUSTIN SANDS MONKSMassachusetts/Illinois, 1850-1917Landscape with sheep. Signed lower left “J.A. Monks”.Oil on canvas, 18” x 26”. Framed 26.5” x 34”.

2022JOHN AUSTIN SANDS MONKS (Massachusetts/Illinois, 1850-1917), Landscape with sheep., Oil on canvas,See Sold Price

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John Austin Sands Monks (American, 1850-1917) oil on: John Austin Sands Monks (American, 1850-1917) oil on canvas, Sheep on the shoreline, signed lower left J.A.S. Monks, canvas 18 x 26 inches

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John Austin Sands Monks (American, 1850-1917): 'Conanicut Island.' 1882. Signed and dated bottom right. Gouache and ink wash on artist board. 11 x 11 3/4 in. Note: It is believed that this painting depicts Sheffield Cove Jamestown, Rhode Island.

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John Austin Sands Monks (American, 1850 - 1917): "Sheep Near Coast." Watercolor signed bottom left; together with an etching signed in the plate. 9 1/2 x 14 1/4 ; 18 1/8 x 22 1/8" (watercolor).

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John Austin Sands Monks (American, 1850 - 1917): 'Southern American Street Scene and African American Life.' Oil on artist board. 11 3/4 x 13 5/16 inches. This black and white and sepia toned painting is from Monk's personal portfolio. It was likely

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J.L. EGENSTAFER (B. 1943), FARM SCENE PAINTING: Framed oil painting on panel, Farm Buildings, signed lower right J.L. Egenstafer (John Lewis Egenstafer, Pennsylvania, b. 1943), sight: 8.5"h, 11.5"w, overall: 12.25"h, 15.25"w, 1.75lbs Start Price: $

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JOHN EGENSTAFER (B.1943) OIL PAINTING FARM SCENE: Framed oil on board painting, Landscape with Farm Buildings, signed lower right J.L. Egenstafer (John Lewis Egenstafer, Pennsylvania, b.1943), centered in carved and gilt frame, sight: approx 7.5"h, 9

2018JOHN EGENSTAFER (B.1943) OIL PAINTING FARM SCENESee Sold Price

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John Monks: Sheep Etching: John Monks (American, 1850 - 1917): Sheep Etching. Etching on rice paper. Signed and dated (1886) in plate. John Monks was a painter and etcher of landscapes and animals, with sheep considered to be a

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John Austin (1918-2001) Painting - "Polly's Place": John Austin (1918-2001) Tempera on Board "Polly's Place", signed lower right Austin, the artwork is painted on an old Life Saving Museum sign. 13 in. x 28 in. Overall 17 in. x 31 in.

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Antique Figural Landscape Sheep Farm Oil Painting: Unsigned antique impressionist oil painting on canvas. Artwork depicts a landscape farm house scene with sheep. Artist signature in lower left. Canvas: 8 in. x 6 in. Frame: 13 in. x 11 1/2 in. Conditi

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John Austin Sands Monks (American, 1850-1917) Lambs and: John Austin Sands Monks (American, 1850-1917) Lambs and Ewes in the Fold oil on canvas signed lower left JAS Monks 26 x 42 inches. Provenance: Mission Gallery, San Diego, California. Property from the

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John Austin Sands Monks (American, 1859 - 1917): 'Cliffs with Seagulls.' Watercolor laid on board. 7 5/8 x 10 3/8 inches. Provenance: From the collection of J.A.S. Monks and to the present consignor, his great-grandson.

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Item Details

Description

John Austin Monks
Massachusetts, Illinois,1850-1917
Depicts a herd of sheep resting in a dark barn alongside chickens eating from a toppled over bucket housed in a finely carved Motyka frame. Monks studied etching with George Nelson Cass and painting with George Inness. He was a member of the Boston Art Club, Copley Society, and the New York Etching Club.
Oil on canvas,Canvas 16" x 24".Frame 22 3/8" x 29 1/4"
Signed "JAS Monks" lower left corner.
From the collection of a Breckenridge, Colorado estate.

Condition

Minor wear by rabbet, canvas may benefit from re stretching, minor stretcher marks, area of paint loss lower left on sheep, red paint spot, frame with minor surface wear and losses to gilt, otherwise good condition.