Lot 0033

Neapolitan Master, 2nd half of the 18th Century

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FLEMISH MASTER Active 2nd half 17th century LANDSCAPE: FLEMISH MASTER Active 2nd half 17th century LANDSCAPE WITH HUNTING PARTY Oil on oak wood panel. 59 x 77,5 cm (F. 69 x 88 cm). Verso: On the panel the antwerp hand and tower as well as an old label 'Fr

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GERMAN MASTER Active 2nd half 18th century NOCTURNAL: GERMAN MASTER Active 2nd half 18th century NOCTURNAL BLAZE Gouache on paper. 58 x 71 cm (F. 72,5 x 85 cm). Part. min. damaged, part. min. restored. Framed behind glass. DEUTSCHER MEISTER Tätig 2.

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ANONYMOUS (2ND HALF 17TH CENTURY) "Dream of Saint Anthony": Oil on copper Interesting work, with a curious iconography, in which the scene in the foreground of Saint Anthony stands out on a tribune before a large group of characters, who are represented in a i

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Barbizon School (French, 2nd Half 19th Century): Barbizon School (French, Second Half 19th Century) "Femmes au Bord de la Riviere" oil on canvas indistinctly signed lower right. Presented in a period giltwood and gesso frame. 13-3/4" x 25-1/2"

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G. SCHULER Active 2nd half 19th C. View of a castle: G. SCHULER Active 2nd half 19th C. View of a castle over small waters Oil on canvas. 46 x 67 cm (F. 59 x 81 cm). Signed lower left 'G. Schuler'. Part. min. soiled, min. restored. Frame. G. SCHULER Tä

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F. HARGITT Active 2nd half 19th C. Cottages in vast: F. HARGITT Active 2nd half 19th C. Cottages in vast summer landscape Oil on canvas (relined). 40 x 60,5 cm (F. 60 x 80 cm). Signed lower left 'F. Hargitt'. Part. min. soilings, restored. Frame. F. HAR

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signed Herbert, 2nd half of the 20th century, panoramic view of Berlin with City Palace and Kaiser: signed Herbert, 2nd half of the 20th century, panoramic view of Berlin with City Palace and Kaiser Wilhelm National Monument, oil on canvas, signed ''Herbert'' lower right, 50 x 100 cm, framed 66 x 11

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Unidentified painter 2nd half: Unidentified painter 2nd half of the 20th century, large lake piece, oil on canvas, indistinctly signed lower right, water stains, 70 x 100 cm, framed 85 x 115 cm

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Unidentified artist 2nd half: Unidentified artist 2nd half of the 20th century, Landscape with a fire at night in a courtyard, oil on older canvas, indistinctly signed lower left, minimal chipping, 24 x 39 cm, framed 40 x 54 cm

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Unidentified painter 2nd half: Unidentified painter 2nd half of the 20th century, horse and carriage in a summery landscape, oil on canvas, indistinctly signed lower right, 20 x 40 cm, framed 32 x 52 cm

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Beaded painting with carriage, 2nd half of the 19th: Beaded painting with carriage, 2nd half of the 19th century, 35 x 40.5 cm. Polychrome bead embroidery on linen. Glass frame.,

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Bottle with stylsed flowers and birds, 2nd half of the: Bottle with stylsed flowers and birds, 2nd half of the 19th century, H. 25 cm. Polychrome bead embroidery on linen canvas, crocheted polychrome beads, glass, cork.,

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Pieter I Brueghel, Follower, The Wild Man, 2nd H. 16th: Oil on canvas, relined Probably Netherlands, 2nd half 16th century Follower of Pieter I Brueghel (c. 1525-c. 1569) – Dutch painter, etcher, graphic artist and draftsman; leading representative of ea

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c. 1876 Centennial Period, George Washington Portrait Oil Painting on Board, after Gilbert Stuart: Washington Related George Washington Portrait Oil Painting on Board After the Original Painting by Gilbert Stuart c. 1876 2nd half 19th century Centennial Period, George Washington Portrait Oil Painti

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THE KAZASKAYA MOTHER OF GOD WITH A SILVER OKLAD: THE KAZASKAYA MOTHER OF GOD WITH A SILVER OKLAD Russian, 2nd half 19th century (icon), Moscow, circa 1860 (oklad) Oil on wood panel. Realistically painted in the traditional style. Overlaid with a sil

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Miniature Painting, Raja before Rama and Sita, India,: Opaque waterbased pigments with gold and ‘silver’ on paper India/Rajasthan/Nathdwara or Mewar, 2nd half 19th century Depiction of a warrior king standing before the enthroned Rama and Sita, making

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Neapolitan Master, 2nd half of the 18th Century

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Description

Neapolitan Master, 2nd half of the 18th Century, Boreas Abducting OrethyiaBoreas, god of the stormy north wind, loved the Athenian princess Oreithyia. He used his natural powers and forcibly abducted her after the Athenians opposed a marital union with the wild god. This beautiful work follows a painting by Francesco Solimena that was a direct commission from Emperor Karl VI in Naples around 1728-29, which is now in the Kunsthistorisches Museum, Vienna. There are other versions of this archetype that were very popular with collectors and art lovers at the time. The present painting, Boreas robs Orethyia, can be assumed to have been painted by one of the well-known students of Francesco Solimens, out of high esteem for his teacher. In comparison to the original picture, this version has its own brush language and painting technique. The colors are also more subdued and pastel.Oil on canvas, 105 x 68 cm