Oceania, Australia, Aboriginal, ca. early to mid-20th century CE. A large panel of eucalyptus bark painted using natural pigments to form three stylized birds in a row. The bodies are composed of intricate lines and cross hatch patterns in hues of white on the red ground. These birds are likely a species of brushturkey, a staple of Aboriginal peoples' diets. This painting was done in the traditional style of West Arnhem Land, which is part of the oldest continuous tradition of painting (from rock art to bark) known in the world. The earth tones are created from naturally occurring plants and minerals. A striking example! Size: 31.75" L x 12.75" W (80.6 cm x 32.4 cm)

Provenance: private New York, New York, USA collection; ex-Dr. Edward A. Spiegel (1931 - 2020) collection, New York, New York, USA

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#166035

Stable pressure fissures and some splintering of wood along edges and face. Wood panel is curved and not completely flat. Wooden block attached to verso, likely for leveling/balancing the surface when displayed. Fading and chipping of pigments but motifs are clear. Verso has written inventory numbers on surface.