Attributed to Romulo Olazo, it does not have a COA. Medium: acrylic canvas, excellent details, signed on the right 7-29-1970, beautiful abstract, 29 x 23 inches. Provenance: private owner.
Biography: 1934 - 2015. Romulo Olazo was born in Balayan, Batangas in the Philippines in 1934. In 1951 he entered the fine arts program of the University Santo Tomas, and went on first to make a name as a major printmaker, winning numerous awards and exhibiting widely both in the Philippines and representing the Philippines internationally as far afield as Paris, San Francisco, Tokyo and Sao Paolo.Olazo began his career as an artist at a critical juncture, when the foundations of a modernist tradition were being laid, by key figures such as Vicente Manansala, Victorio Edades, HR Ocampo and Fernando Zobel.Olazo first came to the fore as a printmaker who made striking innovations in this field. This fed into the development of his Diaphanous series, a unique body of abstract paintings that "are veritable visions of light. They have been likened to dragonfly wings, sheets of gossamer veil or gauze, and even a symphony."In 1972, he was awarded the coveted Thirteen Artists Award by the Cultural Centre of the Philippines (CCP). In the 1970s he developed his renowned Diaphanous series of paintings. He has held regular solo exhibitions at pioneering galleries such as the Luz Gallery, and Finale Art File and major institutions such as the CCP in the Philippines since 1974. He was recently included in the book 13 Painters for the 21st Century.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

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