William Moulis (b. 1919) American

MANDARIN, watercolor and gouache on paper, signed upper left, 24 ¾ x 19”, frame 35 ¾ x 28 ¾” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Cutting Central Station Costs by S. B. Williams. Published by McGraw-Hill, Electrical World (1919). 1st Edition. Excellent condition. Publishers original green cloth hardback with gold gilt. 322 pgs.

Sam Vinikoff (born 1919) American. Florida Highwayman style oil painting on canvas. Depicts a natural Florida wildlife landscape everglades scene. Signed lower left as well as verso. Housed in a wood

William B. Parker (American, 20th Century) Elegance of Truth, 1985 Blown glass, plastic, neon and argon gases 16-1/4 x 14 inches (41.3 x 35.6 cm) Inscribed S.W., 6-20-85, (serial number), PBG, 368/375

William B. Mundie, (American, 1863-1939), Winter Landscape, oil on canvas, signed lower right, 24"h x 20"w

+William B. Dorsey (American, 1942-2019), "Anchorage Denali Sunset", late 20th C,, oil on masonite, prairie landscape of flowers and grass, with a mountain range and modern city (possibly Anchorage) i

William B. Laurence, (American, 20th / 21st C.) "S. Bristol, Maine", watercolor, beach scene at low tide, a building with the sign "raw bar" stands nearby, signed lower right corner, framed and matted

"Sublime in Rupture: Madonna is a Superficial Form," 2016 Ink, iron on transfers, concrete, and pen on canvas Unsigned, titled by repute 60" H x 39" W Provenance: Cafe Society Alberto Cuadros, Lo

Fire at the Orsini 2, 2016 Oil on canvas Signed and dated verso: Jessica Williams; titled by repute 60" H x 48" W Provenance: Jessica Williams Studio, Los Angeles, CA Private Collection, New Yor

"When It's All Too Late," 2016 Oil on canvas Signed twice and dated verso: Jessica Williams; titled by repute 30" H x 24" W Provenance: Jessica Williams Studio, Los Angeles, CA Private Collectio

WILDFLOWERS, 1988, oil painting on canvas, signed lower right, signed and titled on verso, 36 x 48”, frame 44 ½ x 57 x 4”.

CARTOON SURREALISM, 1993, portfolio of twelve color prints, three signed in gold ink, cover sheet signed and numbered 735/4000, in gold ink, published by Robert Bane Editions, sheets 16 x 20” &

William B. Jonas (American, XX-XXI) "New York Yacht Club," oil on panel, depicting the facade of the Beaux-Arts building at 37 West 44th Street in Manhattan, signed lower left: "William B. Jonas." Ima

Sun Ying (b. 1919) Chinese American artist. Scenes of Chinatown and San Francisco, California. Group of three watercolors on paper. 17" x 11" unframed. Signed.

Sun Ying (b. 1919) Chinese American artist. Scenes of Union Square and Palace of Fine Arts, San Francisco, CA. Two watercolor on paper, 14" x 20" framed. Signed.

Two William B Montgomery (American b. 1951) original etchings. 1) Pencil signed and dated "Montgomery (c) 1984" lower right. Number "20/30 State II" in pencil lower left. Title "Two in a Booth (with E

Framed O/B signed William B. Smith. American. Signed lower right. Height: 28"; Width: 31 3/4"; Depth: 2 1/4". Image size: Height: 17 3/8"; Width: 23 3/8"ASSOCIATES STRIVES TO PROVIDE ACCURATE, OBJECTI

(lot of 106) American William B. Durgin sterling silver "Chatham Engraved No. 3" pattern partial flatware service, designed by Frederick R. Roberts, 1915, each handle bearing a script monogram, consis

Hy T. Snell (American b. 1919) Mixed Metal Sculpture. Mid-Century modern brutalist. Depicting a bull rider. Measures - 17" high x 24" long. Has some oxidation. Signed on leg.

William Carlson (b. 1950) American, Art Glass Sculpture. Signed on underside. Mineral and acrylic, etched signature underfootGranite polished to a trapezoid with art glass inclusions and mounted with

Zeke Ziner (American, B. 1919) Industrial Scene. Oil on masonite. Signed LR Board: 18" x 20" Frame: 23.25" x 25.25"

Heron in a Marsh. Signed l/r. Oil on Canvas. 30 x 40 in., overall 34 by 44.5 in.

Abstract architectural forms, on canvas, signed and dated '64 lower right. 11.5 H X 26" W (18" X 32.5")."

Cowboy on horseback with stagecoach, 1979 Oil on masonite Signed lower right: William George / 79, and with the copyright symbol, signed and dated again verso, and with the artist's reproduction rig