WILLIAM CHARLES MCNULTY (New York/Massachusetts, 1884-1963), "Broadway, NYî, 1929., Drypoint,

WILLIAM CHARLES MCNULTYNew York/Massachusetts, 1884-1963"Broadway, NYî, 1929. Edition of 75. Signed and titled in pencil lower margin.Drypoint, 10.5î x 7.25î. Framed 17.25î x

WILLIAM CHARLES MCNULTYNew York/Massachusetts, 1884-1963"Coenties Slip, NYî, 1929. Signed, titled and dated in pencil lower margin.Etching with drypoint, 14î x 10î. Framed 17.25&#2

WILLIAM CHARLES MCNULTYNew York/Massachusetts, 1884-1963"Plaza Square, NYî, 1928. Signed, dated and titled in pencil lower margin.Drypoint, 11.75î x 8î. Framed 17.25î x 13&#23

WILLIAM CHARLES MCNULTYNew York/Massachusetts, 1884-1963"Woolworth Building, New Yorkî, 1929. Signed in pencil lower right.Etching with drypoint, 13î x 9î. Framed 17.25î x 13î. Paper si

WILLIAM CHARLES MCNULTYNew York/Massachusetts, 1884-1963"Wall Street, NY", 1930. Edition of 75. Signed, dated, titled and inscribed "75 Proofs" in pencil lower margin.Drypoint, 13.

WILLIAM CHARLES MCNULTYNew York/Massachusetts, 1884-1963"Waldorf Astoria Hotelî, circa 1930. Signed, titled and inscribed ìImpî in pencil lower margin.Drypoint, 12î x 9î. Framed 17.25Ã

WILLIAM CHARLES MCNULTYNew York/Massachusetts, 1884-1963"Jersey from the Bankerís Club, NYî, 1930. A trial proof, aside from the edition of 75. Signed, titled, dated and inscribed ìTrial Proo

McNulty, William Charles (American, 1889-1963). "McDougal Alley". 1924. Drypoint etching. Tilted and signed in pencil in l.l., l.r. Additionally inscribed l.l. that this was a gift from the artist to

(New York/Massachusetts, 1873-1960) William Post II on his Polo Pony Hermosa, 1930, signed and dated lower right "Geo Ford Morris 30", New Canaan, Connecticut colourman label board verso, pastel on bo

Signed lower right, further signed, titled and dated Feb. 1963 / New York verso. Exhibited 1979 at the FAR Gallery's one-man show and featured as a fold-old illustration in the exhibition catalog. Cha

Charles Tisch (New York, NY, active 1870-1889) Aesthetic Movement Cabinet circa 1884 rosewood, brass, mother-of-pearl, inlays of various woods the cabinet with Aesthetic Movement inlay decoration, Ion

[FINE BINDINGS - LITERATURE] Approximately 65 finely bound volumes of literature. Sets include the works of Charles Dickens, William Shakespeare, Oliver Goldsmith, James Fenimore Cooper, and Washingto

New York (1873-1929) Ogonquit Maine, signed lower left "C Allan Gilbert 1909", oil on canvas on board, 26 x 36 in.; 34-1/2 x 44-1/2 in. framed

(THE NEW YORKER) CHARLES E. MARTIN (1910-1995) Modern Art Eggs in a Basket.Cover art. Cover for The New Yorker published April 13, 1963. Watercolor, gouache, and charcoal on paper. 432x305 mm; 17&#188

"Columbia No. 2", 1884 One of the nicest early typewriters designed by New York watchmaker Charles Spiro, who later also produced the famous "Bar-Lock". Large typewheel for small and capital letters,

[CIVIL RIGHTS]. KING, Dr. Martin Luther, Jr. (1929–1968). Strength to Love. New York: Harper & Row, 1963. 8vo. Original publisher’s black cloth, gilt-lettered spine. Provenance: Claude Wya

Samuel Halpert American, 1884-1930 Rooftops (The Church), 1929 Signed S. Halpert. (lr), signed and inscribed The Church./by/S. Halpert. on a label affixed to the reverse Oil on paperboard laid down on

Tiffany & Co Sterling Silver WAVE EDGE Flatware SET 12 With Case. The pattern designed in 1884 by Charles T. Grosjean (1841-1888), New York, Set includes 60 pieces Flatware stamped "Tiffany & Co Sterl

John Hoppner, R.A. (British, 1758-1810), "Portrait of a Gentleman Identified in the Dillon Collection as Hon. James William Dillon (1792-1812), Son of Charles Dillon, the 12th Viscount", ca. 1808, oil

FAULKNER, WILLIAM. 1897-1962. The Sound and the Fury. New York: Jonathan Cape and Harrison Smith, 1929. 8vo. Publisher's cloth-backed patterned paper boards, blue topstain, pictorial dust jacket. Mino

† Charles Kvapil(French/Belgian, 1884-1957)"Bouquet de Pavots"oil on canvassigned lower right and en verso canvas, affixed with "Callan Fine Art, New Orleans, Louisiana" label.Fr

Good Pair of Victorian Sterling Silver Stirrup Cups hallmarked London, 1883-1884, by William Leuchars, of rhyton form, each with a base in the form of a winged griffin's head, the cup with repousse fe

Charles Hawthorne American, 1872-1930 The Wild Rose Oil on panel 22 x 18 inches Provenance: William MacBeth Gallery, New York This work may be a study for a work of the same title in the collection of

Belgian/American, 1884-1941 A Sunny Day, 1920 Signed and dated Lesaar/1920; titled, signed and dated on the reverse Oil on canvas 30 1/4 x 25 1/8 inches (76.8 x 63.8 cm) Frame dimensions: 39 3/4 x 34