Two Screenprints, Abstracts, Manuel Rivera

(Spanish, 1927-1995) both signed M. Rivera and dated 67, with chop mark. Ripples to paper, unframed. 19"h x 23"w

Harold Krisel (American, 1920-1995). Two abstract screen prints, both signed 'Krisel' and dated 1977, lower right. Unframed, untrimmed. Dimensions: 26" H x 40.25" W;&nbsp

EDVINS STRAUTMANISIllinois/New York, 1933-1992Two abstract color screenprints. Both signed and numbered out of an edition of 200 in pencil lower margin.Sheets 33” x 22”. Unframed.

Abstract, 1972 Kinetic screenprint on two layers of plastic Signed and dated verso: Gene Gill - 5/1972-18 24" H x 24" W Provenance: Comara Gallery, Los Angeles, CA

Howard Krisel (American, 1920-1995). Group of two screenprints on paper including one titled "Midi Two" depicting an abstract composition in blue, white, yellow, and black, signed, dated 73,

Abstract screenprint in green and blue, comprising two images in one frame, under glass, by Josef Albers (German, 1888-1976). Provenance: Phyllis Lucas Gallery, NYC. [Art: 12" H x 16" W; Frame: 22.5"

MANUEL FELGUEREZ (Mexican 1928-2020) AN ABSTRACT PRINT, "PAI," screenprint in colors on paper, signed in pencil in margin, "Felguerez," and titled in margin in pencil L/L, verso paper labels. 18" x 23

BRIAN CLARKE (British b. 1953) "The Two Cultures, 1982" Silkscreen. Sheet: 47 1/4 x 31 1/4 inches; Frame: 51 1/4 x 34 3/4 inches. Signed and dated lower right: Brian Clarke 1981 and numbered lower lef

MEXICAN COSTUMES, 1941, the portfolio with twenty-five loose-leaf color screenprints, six framed, signatures lower right, from an edition of 1000, with text and portfolio cover, printed by C. W. Belde

ROBERT RAUSCHENBERG Two screenprints from Features from Currents. Two screenprints on Aqua B 844 paper, 1970. Both 890x890 mm; 35x35 inches, full margins. Both signed, dated and numbered 4/50 and 28/5

Two screenprints with woodblock, 46/90, each signed, titled, dated and numbered in pencil to margin, published by Advanced Graphics, London, with their blindstamp(each sheet 112cm x 84.5cm (44in x 33.

Oil on Masonite, Abstract, The Path Rises High, Signed, Titled and dated 1958 on rear. 21 1/2" x 18 1/4" Unframed. Oil on Wood Abstract, Signed Titled and dated 1958 on rear. 23" x 15" unframed.

WILLIAM WOODNew York, b. 1960Two abstracts: “WW02-12” and “WW09-12”. Unsigned. Titled and dated 2012 on labels verso for Albert Merola Gallery, Provincetown, Massachusetts.Oils

Victor Vasarely (Hungarian/French, 1906-1997) Zebror; Clown with Ball Two screenprints in colours, 1988, on wove, signed and numbered 10/275 and 7/275 in pencil respectively, published by Galerie B&#2

WILLIAM WOODNew York, b. 1960Two abstracts: “WW 06-11” and “WW 04-11”. Unsigned. Dated 2011 and artist identified on labels verso for Albert Merola Gallery, Provincetown, Massa

Kyohei Inukai (1913-1985), Triangular Form #2 and Untitled, screenprints in vibrant colors on wove paper, both signed in pencil lower right margins and annotated in lower left margins 'AP 14/16&#3

Artist Unknown (20th Century) Two Abstracts. Two color lithographs. Both illegibly pencil titled LL, illegibly pencil signed, numbered 29/50, and dated '91 LR Each sight: 46" x 35" Frames: 55" x 44"

Susan Moss, two abstracts, signed and dated 1980, 37" x 27", in plexiglass frame 48" x 37 1/2".

William H. Littlefield (1902-1969) Blossom's Edge, Signed Titled & Dated 1956 on Rear. 18 3/4" x 31" unframed. Once & Always, Abstract, Oil on Canvas, Signed, titled and dated rear 1959, 20" x 24" unf

Acrylic on canvas, both signed, dated and titled on verso, largest 12 x 9 in., both framed

Two unframed oils on canvas abstracts. Dimensions: 48" H x 60" W; 

δ Dan Baldwin (b. 1972)Flirting with Death (Two Screenprints)Two screenprints in colours with unique hand-finishing, 2008, each signed, numbered from the edition of 50, published by Harwood King

Ben Shahn (1898-1969) ALPHABET OF CREATION; PLEIADES; (PRESCOTT 24; 42) Two screenprints (the second with hand-coloring and gold leaf), 1957 and 1960, signed in red crayon, the first from the edition

Two serigraphs by Josef Albers (German, 1888-1976) from the "Formulation: Articulation" series, both imprinted on verso "c[opyright] 1972 by Harry N. Abrams, Inc. and Ives-Sillman, Inc.", comprising: