Two Pierre Clark Signed Lithographs

Pierre Clark (American/Canadian, 20th C.). To include "Portfolio T3 No. 1", pencil signed "Clark 71" lower right and marked edition "52/60" lower right; and "PCe 5" pencil signed "Clark 71" lower righ

Pierre Paul Girieud (French, 1876-1948) two lithographs with classical couple themes, comprises: (1) "Daphnis et Chloe," signed bottom right "Girieud" in pencil and numbered "90/101"; and 2) "Pygamali

Robert Riger, sports drawings and lithographs, Robert Riger (American, 1924-1995), incl. Rafer Johnson and C.K. Yang, drawing, Rocky Marciano, drawing, and Jim Clark, lithograph, two pencil signed at

Including: “Untitled”. Signed l/r. Dated ’68. Oil on Canvas. Measuring 8”by 10”. Framed. (Cond: good) “Untitled”. Signed l/r. Dated ’68. Verso signed. Oil on Canvas. Measuring 24” by

Two French lithographs, including one Pierre Fournel (French, b. 1924) lithograph on Arches paper titled "Paysage," signed in pencil lower right, titled middle left, numbered lower left ed. 50/50, and

Two Crabs, Lithograph, Signed "Cil.". Framed 22.875W x 19.125H x 1.0D in. Sight 14.25W x 10.5H in. All Measurements are Approximate.

Robert Kipness BARE TREES, color lithograph, signed and numbered 53/75 in pencil, sheet 25 x 18 ½”; Bernard Gantner LANDSCAPES, two color lithographs each signed and numbered 55/119 & 67/

ACROBAT ON HORSE; BOY RIDING GOAT, two color lithographs, each signed in pencil, each numbered 127/200, images 12 x 9 ”, both with full margins; LE CIEL DE GRACIELA, color lithograph, signed in penc

Honore Daumier ACTUALITIES #188; ACTUALITIES #336 as published in the Charivari, 1871-72, two lithographs, signed on the stone, sheets 11 x 9 " & 11 x 11 ", both matted, both in good aged condition; A

PORTRAIT; BEDROOM SCENE; two color offset lithographs, signed and numbered in pencil, sights 19 x 13”, largest frames 26 x 19” with glass. (2)

TWO WOMEN WITH HATS, 1988, color lithograph, signed in pencil, numbered 170/300, sheet 30 x 40”, artist’s blind stamp lower left, framed, tiny wear upper right corner, otherwise in apparently good

POINTING TO THE FUTURE, state I (L.216; SF.248), 1976, very rare progressive proof lithograph, signed and numbered 1/2 PP (printer’s proof) in pencil, sheet 50 x 30”, printed by Serge Lozi

PSALM 133 (P.53), 1963, color lithograph, signed with brush, from the edition of 200, sheet 20 ½ x 27”, with A. Manaranche Grav. Lith stamp lower left, pale toning at sheet edges, small creases low

UNTITLED, color lithograph, signed and numbered XXIII/XXV (23/25) and inscribed in pencil, sheet 19 ½ x 26”.

CLOWN BANK, 1989, color lithograph, signed in pencil and inscribed W.P. for Hunten + Richard, a working proof aside from the numbered edition 45 and 15 artist’s proofs, sheet, framed; Together with

BULL FIGHT (K.203), 1973, color lithograph, signed in pencil, numbered 54/200, image 13 ½ x 12”, full margins, frame 14 ½ x 12 ¾” with glass; THE CAPTAIN (K.201), 1972, color lithograph, signed

INDUSTRIAL WORKERS, 1999, color lithograph, signed and dated in pencil, numbered 35/80, image 25 x 25”, full margins, frame 33 ½ x 33” with Plexiglas; MOTHER & CHILD, 1999, color gicl

TWO HEADS, 1972, lithograph, signed and dated and titled in pencil, numbered TS 3/35, sheet 29 x 22 ", framed, in apparently good condition. Provenance: Tobey Moss Gallery, Los Angeles.

UNTITLED (L.202; SF.210), 1976, two-color lithograph, signed in pencil, numbered 4/30 from the edition 30, sheet 22 x 30”, printed by George Page, published by Litho Shop, some soft handling creases

LINO-LITHO (YR.468), 1970, linogravure and color lithograph, signed and numbered 48/99 in pencil, printed by Clot Paris, published by London Art Gallery, image 9 ½ x 12”, full margins, fr

Ben Shahn, FREDERICK DOUGLAS, lithograph, signed and numbered 34/250 in colored pencil, sight 13 x 10 1/2"; Ben Shahn with Leonard Baskin, BEAUTITUDES, color woodcut print, signed by Shahn in pen lowe

DOS MUJERES SENTADAS (Two Seated Women) (B.41), 1978, lithograph, signed and numbered 58/100 in pencil, printed by Kyron, published by Brewster, sheet 22 ¼ x 31”, mat 29 ½ x 38”.

STILL LIFE WITH FLOWERS, color lithograph, signed and numbered 106/300 in pencil, published by Spitzer with blind stamp lower right, image 10 ¾ x 8 ¼”, full margins, frame 22 &frac

STILL LIFE WITH FRUIT; embossed color lithograph, signed in pencil, numbered 55/260, sheet 24 ½ x 18 ¼”; THE OFFERING, color lithograph, signed in pencil, numbered 177/260, image 25 ¼ x 18 ¾”,