PICO DELLA MIRANDOLA. De Phantasia

Heading: (Hammer, Victor) Author: Pico Della Mirandola, Giovanni Title: Comes Concordiae Oration de Hominis Dignitate Place Published: [Lexington, KY] Publisher:[Anvil Press] Date Published:

Pico della Mirandola Giovanni Francesco, Dialogo intitolato la Strega, overo de gli inganni de demoni [...] tradotto in lingua toscana per il signor abate Turino Turini da Pescia. In Pescia: s.e., 15

PICO DELLA MIRANDOLA, Giovanni. Opera omnia Ioannis Pici, Mirandulae Concordiaque comitis- Basileae, per Heinricum Petri, 1557 Large 4to, 315x207 mm; Quarter vellum binding; pp. [32], 923, [1], Segn.

"Que Pico de oro!" (What a Beak of Gold!) etching by the infamous Spanish artist Francisco Goya. Professionally mounted in a gold and silver brushed 23 1/2" x 26 1/8" x 1" frame. Viewing area is 7" x

Heading: Author: Goya, Francisco Title: Que Pico de Oro! Place Published: Publisher: Date Published: c.1881-1886 Description: Plate 53 from Los Caprichos. Aquatint. Black

Zepeda Mareno (Latin America, 20th century), "Pico de Orizaba, Ver Atlaltepetl", oil on board, signed lower right "Zepeda Mareno". Sight size: 16" high, 20" wide.

"Si Quebro el Cantaro" from Los Caprichos. Numbered plate 25 top right-hand corner. 1797-1798. Etching and aquatint. Plate size: 8 1/8 in. x 5 7/8 in. (20.64 cm x 14.92 cm). "Que Pico de Oro" from Los

FRANCISCO GOYA (1746-1828) Que pico de Oro, plate 53 (from Los Caprichos) Etching, aquatint on wove paper, circa 1797 7 1/4" x 5" Includes an old museum inscription to verso and also museum exhibition

Pico de Orizaba, Mexico. Friedrich Heinrich Alexander von Humboldt, Pic d'Orizaba Vu Depuis la Foret de Xalapa, from Atlas Geographique et Physique du Royaume de la Nouvelle-Espagne, 1807 (dated). Han

DJ LEMAHIEU, TONY RENDON NICK NAME VARIATION, GEORGE SPRINGER, PICO DE GALLO JOEY GALLO NICK NAME SP

19th c, footed-form, in the 17th c. manner with classical face to spout, 9"h; 8" handle to spout; 25.5 troy oz. From the extensive collection of a Connecticut gentleman who lived in Latin Am

Rossello Timoteo, Della summa de' secreti universali di ogni materia. Parte prima (-seconda). In Vinegia: per Giovanni Bariletto, 1561. 2 parti in 1 volume in-8° (mm 150x105). Carte [8], 152;

ANGELO MANGIAROTTI Sei sedie della serie 'De nos' per LA SORGENTE DEI MOBILI, 1975. Legno di noce, sedili e schienali imbottiti rivestiti in tessuto. Altezza cm 97, larghezza 45, profondità 52. A s

[Early Printing] Bella, Stef(ano). della: Receuil de diverses pieces tres-nessessaire a la fortification... Bella, Stef(ano). della Receuil de diverses pieces tres-nessessaire a la fortification... (P

This original woodcut prints originates from "Historia animalium" ("History of the Animals"), published in Zurich between 1551–1558 and 1587. The prints features intricate illustrations of animals,

jarro de pico, pointed spout with classic face, 7”h; 8.25”h to top of pointed handle; 24 troy oz. (748 grams) Ex. the collection of a Connecticut gentleman and his wife who resided in Latin Americ

Veduta della Basilica de Ste. Maria MaggiotrVeduta del Romano Campidoglio con Scalinataeach 25in. x 17in. (63cm. x 43cm)Framed: 31in. x 23in. (79cm. x 58cm)

An Italian porcelain portrait plaqueLate 19th/early 20th centuryMarked on the verso with a black Florentine Crest backstamp; inscribed in pencil verso: Madonna della Seggiola de RaphelloAfter Raphael'

ANGELO MANGIAROTTI Un tavolino della serie "De Nos" per SORGENTE DEL MOBILE, 1975 Legno di noce massello, cristallo grigio molato. Cm 40 (h) x 95 x 95. A coffee table from the "De Nos" series manufact

Jarra de pico barcelonesa siglo XX. En plata labrada y punzonada, 27 cm. alt. 496 gr.

After Giovanni Battista Piranesi (Italy, 1720–1778) framed Italian city of Verduta. Titled "Sepolcro della famiglia de'Metelli". Depicts the building of a structure from the 16th century with writin

Twelve volumes of "Clasicos Castellanos" by authors including Manrique, Valdes, de la Cueva, del Pulgar, de Leon, de la Cruz, della Rosa, de Herrera, de Lazarillo de Tormes, de Santillana and Garcilas

"L'Altea Parte della Piazza de S. Marco di Venetia" Hand Colored Copper Plate Published 1640, Frankfurt for "Itinerarium Italiae nov-antiquae…" by Martin Zeiler and Matthaus Merian. Paper Size: 14 x

Altra Veduta Interna della Villa de Mecenate in Tivoli etching/engraving. Plate 23 3/4" x 16 1/2" & 32.5" x 25" w/ frame.