Oskar Strnad, Vienna 1879 - 1935 Bad Aussee, Flagellation of Christ

Schmoll von Eisenwerth, Karl - probably - Vase (Vienna 1879-1948 Bad Gastein) Ferdinand von Poschinger, Glashuettenwerke Buchenau, c. 1900. Conical body with four-pass mouth. Colorless glass with gree

Carl Franz BauerVienna 1879 - 1954 Vienna"The ride"Tempera on cardboard35 x 43 cm, with frame 47,5 x 57,5 cmSigned b.r.

Franz S. (Frank) Strahalm (American 1879 - 1935) oil on canvas, ENCAMPMENT- SUNSET LANDSCAPE, VENING GLOW, 22 x 28 inches

Franz S. (Frank) Strahalm (American 1879 - 1935) oil on canvas, EVENING GLOW, 18 x 24

Carl Franz Bauer Vienna 1879 - 1954 NanniMixed media on cardboard 33 x 48 cm, with frame 44.5 x 59.5 cmSigned b.r.

North India, carved as a fish, decorated with gilt-metal and precious stones, length 8.5 in. Provenance: Property from the Walter Exner collection, de-concessioned from Vienna-Bad Wildungen Asian Muse

Kasimir Malevich (Russian, 1879 - 1935). "Suprematist Composition". Original gouache. c1916. Signed in pen with the initials, lower right. Buff paper. Very good condition, with minor edge chipping, el

KASIMIR MALEVICH (RUSSIAN/UKRAINIAN, 1879-1935), LITHOGRAPH, 1913, IMAGE: H 5", W 3 1/2", "ARITHMETIC":PAPER SIGHT SIZE, 6" X 4". DONALD MORRIS GALLERY LABEL. FRAME SIZE: H 14", W 11". REFERENCE: KARS

This lot consists of an unframed acrylic painting on stretched canvas, done in the non-objective, Suprematism style of Kasimir Malevich (Russian, 1879-1935). This vibrant image is a compilation of jew

Franz Strahalm "Evening Clouds" oil on canvas. Signed lower right, "Franz Strahalm". Canvas: 18.125"H x 24.125"W; Frame: 24.5"H x 30.5"W. Franz Strahalm (American/Austrian, 1879-1935).

Postal Commemorative Society The US Silver Dollar Collection From Years Ranging 1879-1935. Lot includes 35 US Silver Dollars, 26 being Morgan Silver Dollars, and 9 Being Peace Dollars. See attached ph

ARTIST: Frank Strahalm (Texas, Austrian, 1879 - 1935) NAME: Landscape - Evening Glow (titled on stretcher) MEDIUM: oil on canvas CONDITION: Very good. Very minor craquelure. No visible inpaint under U

c.1600 A.D. A carved boxwood figure of Christ's flagellation; Christ shown wearing a loincloth secured with a knotted cord, his head thrown back, hands bound by similar cord to a spike driven into the

Kazimir Malevich (1879-1935) 'Suprematist Composition No. 56', 1936 lithograph in colours, numbered '1083/1400' in pencil l.l., printed by Mourlot, and published by Galerie Gerald Pilzer, Paris, with

Gouache on paper. Featuring a cubist portrait of an instrumentalist playing the bass violin. Signed in the lower left corner. Attributed to Kazimir Malevich (1879-1935, Russian). 28 x 18.5 cm (11 x 7.

Gouache on paper, framed. Russian Suprematist School. Featuring two surrealist figures. Signed K. M. on the lower right corner. Attributed to Kazimir Malevich 1879-1935 Russian. 24 x 19.5 cm (9.5 x 7.

Oil on paper, framed. Featuring a figure peering ahead. Signed with initials on the lower right corner. Attributed to Kazimir Malevich (1879-1935, Russian). 19 x 14.5 cm (7.4 x 5.7 inches). Frame size

Pair Suprematism bookends Attributed to Kazimir Malevich (1879-1935), pair Russia, circa 1915 bronze unmarked - each: 4 3/8w x 3d x 5h

Zampieri, Attributed to Domenico (Domenichino), (Italian, born 1581-circa 1641 ), The Flagellation of Christ on a Column, oil on canvas, 26.5 x 20 inches, apparently unsigned, framed in a painted wood

From a Stamford, CT estate. - Dimensions: 38.5" high x 53" wide.

18th century; oil on canvas, wax-lined; Provenance: Harvey Clars Auctioneers label verso; Provenance: The Estate of Charles Hackett of Charles and Charles, San Jose, CA; 24 3/4 x 18 3/4 inches; 32 3/4

Full title: Three southern European polychromed and gilt walnut reliefs depicting the flagellation of Christ and two saints, 17th C. Description: H 37,5 x L 24 cm (the central panel) H 38,5 x L 14,5 c

[Large] Russian (?) icon "Flagellation of Christ". - 19th century. - 58x47 cm. Tempera on wood, levkas.

OSKAR BARNACK (1879–1936) | Hanna Barnack with doll, Wetzlar c. 1913 | Vintage silver print, double-weight glossy paper, brown-toned contact print of two negatives, with signs of wear (creases)