Opulent Era: Fashions of Worth, Doucet & Pingat, 1989

Book Title: Opulent Era: Fashions of Worth, Doucet and Pingat ISBN/ASIN: 0500014760 Author: Elizabeth Ann Coleman Publisher: Thames & Hudson Release Date: 1989 Sku: 017715 Fine brown cloth covered boa

TSUJIMURA YUI (B. 1975) Large stoneware jar with natural ash glaze Heisei era (1989-2019) Beginning from a narrow base, the profile building up to a broad and flat shoulder, the neck again expanding u

Woven basket Bamboo & rattan Heisei era (1989-2019), inscribed signature h. 11 w. 16 d. 12-1/2 in. Provenance: Items from the Estate of an important Manhattan, NY collector

Morigami Jin (Japanese, b. 1955), FlightHeisei era (1989-2019), Madake bamboo and rattan, comes together with box inscribed to interior by artist together with orange cloth impressed with artist's red

Kawano Shoko (Japanese, b. 1957), PurityHeisei era (1989-2019), 2004, Madake bamboo and rattan, with removable cylinder to center, custom wooden storage box tomobako inscribed by artist, orange cloth

KOHYAMA YASUHISA (1936-) Kaze Heisei era (1989-2019) The Shigaraki stoneware coil-built and wire-cut vessel with straight sides curving upward on both ends, a water reservoir in the center of the body

Monden Kogyoku (Japanese, b. 1916), Flower of WaveHeisei era (1989-2019), Madake bamboo, artist's signature inscribed on basket, inscribed interior of box lid with artist's seal, yellow cloth impresse

Watanabe Shochikusai II (Japanese, born 1927), Paper BoxHeisei era (1989-2019), 2007, Madake and rattan, brocade silk lined interior to box, inscribed by arist on the bamboo, custom wooden storage box

Ueno Masao (Japanese, b. 1949), Apricot BlossomHeisei era (1989-2019), 2006, Madake bamboo and rattan. 16 1/2 x 4 x 16 1/2 in. Ueno Masao studied architecture at the Shibaura Institute of Technology

RAKU SEINYŪ (KICHIZAEMON XII, 1887-1944) A Black Raku Ware Tea Bowl Taisho (1912-1926) or Showa (1926-1989) era, after 1919 A glazed earthenware chawan with lustrous black glaze featuring a short

WADA WAICHISAI II (1877-1933) A Long-Handled Bamboo Basket Showa era (1926-1989) circa 1930 The conical basket woven in madake and rattan with mat plaiting, twining, wrapping and knotting, with a cyli

TSUCHIYA KŌITSU (1870-1949) Showa era (1926-1989), 1932 A dai ōban yoko-e print entitled Yoru no Asakusa (Asakusa at Night), signed Kōitsu, published by Doi Sadakazu 19 7/8 x 14 1/2in (

KAWASE HASUI (1883-1957) Showa era (1926-1989), 1922 An aiban yoko-e print entitled Nagato-kyō Kayagafuchi (The Kayagafuchi Rapids in Nagato Gorge), from the series Nihon fūkei senshū

YOSHIDA HIROSHI (1876-1950) Taisho (1912-1926) or Showa (1926-1989) era, 1926 A large woodblock print entitled Hansen, yoru (Sailboats: Night), from the series Seto Naikai shū (Inland Sea), signe

YOSHIDA TOSHI (1911-1995) Mendocino, Sunrise Showa era (1926-1989), 1982 A very large print entitled in Japanese Mendoshino no yoake with both Japanese and English titles written in pencil on the rect

OKABE SŌFU Mon (Gate) Showa era (1926-1989), 1964 Brushed in ink on paper, sealed Sō, inscribed on a label the reverse Mon, Okabe Sōfu, July, 1964, framed 40 3/8 x 52 1/4in (104 x 135cm

YOSHIDA TŌSHI (1911-1995) Mendocino, Sunrise Showa era (1926-1989), 1982 A very large print entitled in Japanese Mendoshino no yoake with both Japanese and English titles written in pencil on the

KAWASE HASUI (1883-1957) Two Woodblock Prints Showa era (1926-1989), 1940 and 1952 Two ōban tate-e prints, the first entitled Chōsen Chiizan Sen'in-ji (Chunum Temple, Chiri Mountain, Korea),

KAWASE HASUI (1883-1957) Taisho (1912-1926) or Showa (1926-1989) era, 1923-1931 Comprising an aiban tate-e and two oban tate-e prints (each framed); the first entitled Uchiyamashita, Okayama, from the

ITŌ TAKASHI (1895-1944) Two Woodblock Prints Showa era (1926-1989), dated 1929 and 1933 Two ōban yoko-e woodblock prints, each signed Takashi and sealed Itō Takashi, published by Watana

YOSHIDA HIROSHI (1876-1950) Showa era (1926-1989), 1931 A ōban yoko-e print entitled Benaresu no gatto (Ghat in Benares), signed in the block Yoshida and in pencil in Roman script in the lower ma

PAUL JACOULET (1902-1960) Four large vertical prints Showa era (1926-1989), 1940-1948 The first, entitled L'Homme accroupi. Chinois (The Squatting Man. Chinese), carved by Maeda Kentaro, printed by Fu

INODA SEII (1906-1975) Egrets and Lotus Flowers Showa era (1926-1989) A two-panel folding screen brushed in ink and colors on silk depicting four egrets standing in a dried-up lotus pond, three of the

KASAMATSU SHIRŌ (1898-1991) AND KAWASE HASUI (1883-1957) Four Woodblock Prints Showa era (1926-1989), 1934-1938 Comprising three ōban tate-e prints including Haru no yoru, Ginza (Spring Even