INODA SEII (1906-1975) Egrets and Lotus Flowers Showa era (1926-1989)

INODA SEII (1906-1975) Egrets and Lotus Flowers Showa era (1926-1989) A two-panel folding screen brushed in ink and colors on silk depicting four egrets standing in a dried-up lotus pond, three of the

JUNRAKUSAI (ACTIVE 20TH CENTURY) A Bamboo Flower Basket Showa era (1926-1989), 20th century Of susudake (smoked bamboo) worked in free-style plaiting, wrapped and knotted at the rim forming two small

TSUCHIYA KŌITSU (1870-1949) Showa era (1926-1989), 1932 A dai ōban yoko-e print entitled Yoru no Asakusa (Asakusa at Night), signed Kōitsu, published by Doi Sadakazu 19 7/8 x 14 1/2in (

KAWASE HASUI (1883-1957) Showa era (1926-1989), 1922 An aiban yoko-e print entitled Nagato-kyō Kayagafuchi (The Kayagafuchi Rapids in Nagato Gorge), from the series Nihon fūkei senshū

YOSHIDA TOSHI (1911-1995) Mendocino, Sunrise Showa era (1926-1989), 1982 A very large print entitled in Japanese Mendoshino no yoake with both Japanese and English titles written in pencil on the rect

OKABE SŌFU Mon (Gate) Showa era (1926-1989), 1964 Brushed in ink on paper, sealed Sō, inscribed on a label the reverse Mon, Okabe Sōfu, July, 1964, framed 40 3/8 x 52 1/4in (104 x 135cm

YOSHIDA TŌSHI (1911-1995) Mendocino, Sunrise Showa era (1926-1989), 1982 A very large print entitled in Japanese Mendoshino no yoake with both Japanese and English titles written in pencil on the

ITŌ TAKASHI (1895-1944) Two Woodblock Prints Showa era (1926-1989), dated 1929 and 1933 Two ōban yoko-e woodblock prints, each signed Takashi and sealed Itō Takashi, published by Watana

YOSHIDA HIROSHI (1876-1950) Showa era (1926-1989), 1931 A ōban yoko-e print entitled Benaresu no gatto (Ghat in Benares), signed in the block Yoshida and in pencil in Roman script in the lower ma

PAUL JACOULET (1902-1960) Four large vertical prints Showa era (1926-1989), 1940-1948 The first, entitled L'Homme accroupi. Chinois (The Squatting Man. Chinese), carved by Maeda Kentaro, printed by Fu

RAKU SEINYŪ (KICHIZAEMON XII, 1887-1944) A Black Raku Ware Tea Bowl Taisho (1912-1926) or Showa (1926-1989) era, after 1919 A glazed earthenware chawan with lustrous black glaze featuring a short

YOSHIDA HIROSHI (1876-1950) Taisho (1912-1926) or Showa (1926-1989) era, 1926 A large woodblock print entitled Hansen, yoru (Sailboats: Night), from the series Seto Naikai shū (Inland Sea), signe

KAWASE HASUI (1883-1957) Taisho (1912-1926) or Showa (1926-1989) era, 1923-1931 Comprising an aiban tate-e and two oban tate-e prints (each framed); the first entitled Uchiyamashita, Okayama, from the

SHINODA TOKO (1913-2021) Showa (1926-1989) or Heisei (1989-2019) era, 20th/21st century Ink on paper, signed in pencil at the bottom right Toko Shinoda, framed and glazed 19 3/4 x 13 7/8in (61.3 x 35.

SHINODA TOKO (1913-2021) Showa (1926-1989) or Heisei (1989-2019) era, 20th/21st century Ink on paper, signed in pencil at the bottom right Shinoda Toko, framed and glazed 19 3/8 x 13 3/4in (49.2 x 34.

IMAIZUMI NARIYUKI (SEISHI, ACTIVE CIRCA 1910-1950) A Black Lacquer Four-Case Inrō Taisho (1912-1926) or Showa (1926-1989), 20th century Of lenticular profile with applied cord runners, decorated

WADA WAICHISAI II (1877-1933) A Long-Handled Bamboo Basket Showa era (1926-1989) circa 1930 The conical basket woven in madake and rattan with mat plaiting, twining, wrapping and knotting, with a cyli

KAWASE HASUI (1883-1957) Two Woodblock Prints Showa era (1926-1989), 1940 and 1952 Two ōban tate-e prints, the first entitled Chōsen Chiizan Sen'in-ji (Chunum Temple, Chiri Mountain, Korea),

Monden Kogyoku (Japanese, b. 1916), Flower of WaveHeisei era (1989-2019), Madake bamboo, artist's signature inscribed on basket, inscribed interior of box lid with artist's seal, yellow cloth impresse

TSUJIMURA YUI (B. 1975) Large stoneware jar with natural ash glaze Heisei era (1989-2019) Beginning from a narrow base, the profile building up to a broad and flat shoulder, the neck again expanding u

Chinese Enamel Colour Lotus Flower Porcelain Tea Bowl with Lid, marked with "Made in Qianlong Era, Qing Dynasty" | 琺瑯彩描金荷塘蓋碗 底&#27

This enchanting oil painting showcases a serene moment—a hand holding a flower with a butterfly nearby. The artist's skillful use of vibrant oil paints brings out the elegance and delicate beauty of

27x7x37 cm. Weight 8950 gram.

China, 18th century, blue decoration with lotus scrollwork and flowers. Dim.: 47x55 cm.