John Beerman (NC), Untitled (Desert View)

Beerman, John (American, b.1958), Untitled Desert Landscape, 1991, etching and aquatint with gold leaf border, signed, dated and numbered PP 9/10 in pencil at bottom, chop mark to lower right corner,

Beerman, John (American, b.1958), Untitled Desert Landscape, 1990, etching and aquatint with gold leaf border, signed, dated and numbered PP 1/10 in pencil at bottom, chop mark to lower right corner,

Beerman, John (American, b.1958), Untitled Desert Sunrise, 1990, etching and aquatint with gold leaf border, signed, dated and numbered PP 1 in pencil at bottom, chop mark to lower right corner, image

Beerman, John (American, b.1958), Untitled Desert Landscape, 1989, etching and aquatint with gold leaf border, signed, dated and numbered PP 2 in pencil at bottom, chop mark to lower right corner, ima

Earl Carpenter (1931-) Untitled (Desert View) oil on canvas 30 x 48 inches 40 1/2 x 58 x 21/2 inches (frame) signed and dated lower right: Earl Carpenter © 81 Provenance: The May Gallery, Jackson,

Lot 119 John Beerman American (b.1958) Untitled (1989) etching with gold leaf signed in pencil lower right, editioned 9/36 plate: 8 x 10 inches frame dimensions: 21 x 22 1/4 x 1 1/2 inches, wood frame

John Beerman- ''Desert Mountain''- lithograph, 1991, signed, dated and numbered 3/15 in pencil, printed on gray toned paper, blindstamps in both bottom corners of margin. 6 5/8'' dia

John Graham (American, 1886-1961) Untitled (City View), 1926 gouache and watercolor on paper laid to board signed Graham and dated (lower right); signed (lower left) 9 1/4 x 12 inches. Property belong

John Macpherson Ross (Canadian, 1850-1924), Untitled (View of Lake George), oil on canvas, signed lower left, canvas: 22.75"h x 33.5"w, overall (with frame): 30.5"h x 46"w

Beerman, John (American, b.1958), Untitled Sunset Landscape, 1989, etching and aquatint with gold leaf border, signed, dated and numbered P/P 2 in pencil at bottom, chop mark to lower right corner, im

Ruth Hirsch (American School, 20th century): Untitled (Desert Landscape). Oil on canvas board. Signed, lower left, inscribed 'HIRSCH', verso. Framed in a green and gilt painted wood frame.canvas board

Unknown artist. Untitled (cityscape view from under The John A . Roebling Suspension Bridge. Spans the Ohio River between Cincinnati) Oil on canvas board, not signed Dimensions: framed H29.5" x W23.5"

Untitled (a view of a frame buildings.) Watercolor on paper, signed lower right Dimensions: H x W x D Condition: No issues to note.

Untitled (birds eye view of a farm in the winter time.) C. 1930's. Watercolor and gouache on paper, signed lower right. Dimensions: (Frame) H 21.5" x W 29", (Sight) H 10.5" x W 18.5" Condition: Some b

Map: Untitled (Cover Title: Bird's Eye View of Boston Harbor and South Shore to Provincetown Showing Steamboat Routes) Maker: John F. Murphy Publisher: John F. Murphy, Boston Date: 1899 Size: Folio -

Untitled - Desert Sunrise, c. 1950, oil on board, 6 ½ x 20, signed lower left: G Browning, Lots: 113-167 Selections from the Linda and William Reaves Collection of Texas Art.

ANNE PACKARD (American, b. 1933)Untitled (View of Provincetown Harbor)oil on boardsigned A. Packard lower left5 x 7 in., frame: 7 1/2 x 9 1/2 in. Provenance: Purchased from the artist by

Linda Ruth Dickinson (NC), Untitled (Clouding)acrylic on canvas, 2002, signed and inscribed to verso, float mounted in a contemporary silvered frame. Stretcher size 48 x 36 in.; Frame dimensions 51 x

Wilson Irvine (American, 1869-1936) Untitled (View of Connecticut) oil on canvas signed Irvine (lower right) 24 x 27 inches. Estimate $2,000-4,000 Repair to tear right margin.

Bill Keen (NC), Untitled Modernist Bronze Sculpture1977, patinated bronze in lost wax method, limited edition series, decorated to all sides with peg-mount on a black painted iron pedestal, impressed

JASPER JOHNS (B. 1930) Untitled, 1976 Etching on watermarked artist paper 13" x 9 3/4" Signed in pencil lower right side

Fuller, John.Views In Sussex, Consisting Of The Most Interesting Landscape And Marine Scenery In The Rape Of Hastings. London: John Murray and W. B. Cooke, 1819.Unique extra-illustrated copy.Large fol

Untitled (View from Behind of a Lady Wearing a Hat), oil on panel, signed lower right ‘Gluckmann.’ This painting can be seen hanging in the living room in archival photos taken in the late 1940s/e

Untitled (View of the Gapstow Bridge and New York City Skyline from the Edge of the Pond in Winter). Oil on canvas. Signed lower right. 29 by 24 inches, sight PROVENANCE From the Estate of Mrs. Nancy