Gustav William Von Schlegell (1884 - 1950). Audrey.

Oil on canvas, 28 x 20 inches, signed lower right. Framed, 32 x 24 inches. Signed and titled on verso.

Gustav William Von Schlegell (1884 - 1950). Oil on board, 16 x 12 inches, stamped on verso. Provenance: Tom Veilleux Gallery; Estate of the Artist.

oil on artist board. Schlegell (b1884-d1950). Framed 14.5" x 17.5".

David Von Schlegell,Canada,1920-1992 Abstract depiction of black lines, flourishes, controlled splatter forming a landscape. and David Von Schlegell, son of impressionist painter William Von Schlegell

Hand Painted German Porcelain Plaque signed "F. Koch" lower right, after Gustav Richter (1823 – 1884): "Bildnis der Königin Luise von Preußen", 1879. The reverse incised with a sceptre ab

1970'S Diane Von Furstenberg Geo 2 Piece Set And Vintage Clothing Grouping To Include Rich Green Velvet 1950'S Gotham Original 2 Piece Set, 1960S Novelty Print Blouse And 2 Gunne Sax Style Dress And S

Max Beckmann (German, 1884-1950), one of Beckmann's last works, "Kopf" ("Head"), executed in 1959, bronze with dark brown patina, captures most of his signature "Angst". Exhibited and illustrated: Cat

Max Beckmann (German, 1884-1950) In the Tram (In der Trambahn) 1922, pencil signed and numbered 27/40 bottom left (from the total edition of 100 in this state (Hofmaier's state III.B.d. of III.B.d.)),

ARTIST: Rudolf Anton Guba (Germany, American, 1884 - 1950) NAME: View of Bosphorus MEDIUM: oil on canvas CONDITION: Some craquelure. No visible inpaint under UV light. SIGHT SIZE: 28 x 40 inches / 71

Max Beckmann, German, 1884-1950, "Main River Landscape", 1915, drypoint, from a portfolio of 19 prints entitled Gesichter (Faces) printed by Franz Hanfstaengl, Munich, published by Mar_es-Gesellschaft

Max Beckmann (Germany, 1884-1950) Lovers II (Liebespaar II) from Faces (Gesichter), 1918 drypoint signed in pencil 8 7/16 x 10 1/16 inches. Property from the Collection of James and Edythe Cloonan, Ch

Max Beckmann, German, 1884-1950, "Zwei Autooffiziere" (Two Auto Officers), 1915, drypoint from a portfolio of 19 prints entitled Gesichter (Faces), printed by Franz Hanfstaengl, Munich , published by

Max Beckmann (German 1884-1950), "Die Nacht", 1922 from Trip to Berlin (Berliner Reise) portfolio, black and white figural lithograph on sepia paper, signed lower right, and editioned 57/100 lower lef

Max Beckmann (German, 1884-1950) Die Bettler (The Beggars), Plate 7 from Berliner Reise 1922, pencil signed and numbered 59/100, with full margins, I.B. Neumann, Berlin, publisher. Lithograph on velin

Portfolio comprising 42 (instead of 50) heliogravures and collotypes in colors after original works by the artist on wove paper Austria, 1918 Gustav Klimt (1862-1918) – Austrian painter and graphic

Large Sculpture by William (Willie) Wolff Joseph, (American, 1919-2015). Joseph, originally from Cincinnati, Ohio studied at Black Mountain College, NC under Josef Albers, Lyonel Feininger and Buckmin

Large Sculpture by William (Willie) Wolff Joseph, (American, 1919-2015). Joseph, originally from Cincinnati, Ohio studied at Black Mountain College, NC under Josef Albers, Lyonel Feininger and Buckmin

William Edouard Scott (1884 - 1964) Oil on Canvas , Signed , measures 38"x30" , w/frame 45" x 37.5"

William Edouard Scott (1884 - 1964) Oil / Canvas ,Signed ,measures 17" x 25" inches

A SILVER AND AZURMALACHITE 'CONQUISTADOR' NECKLACE, WILLIAM SPRATLING, CIRCA 1950 The iconic arrow-form pendant and chain set with azurmalachite arrow points; mounted in sterling silver; length 18 in.

Good Pair of Victorian Sterling Silver Stirrup Cups hallmarked London, 1883-1884, by William Leuchars, of rhyton form, each with a base in the form of a winged griffin's head, the cup with repousse fe

An Egyptian Bronze Figure of Amun Late Period to Ptolemaic Period, Circa 664-30 B.C. Height 8 5/8 inches. Provenance:Acquired circa 1950 by William Barton, Memphis, Tennessee By family descent to the

The design by Arthur von Frankenberg (1889 - 1950) for Frankart initially a working clock, the original textured plate glass dial with elongated hour reference marks embossed in polished glass flanked

By Alphonse Leon Noel (1807–1884) after William Sidney Mount (1807–1868) showing an African American man listening outside an open barn door to the white fiddler within who plays to a sm