Follower of Nicolas Poussin (French, 1594-1665)

Follower of Nicolas Poussin (French, 1594-1665) "Enlevement", ca. 1700 oil on linen unsigned. Framed. 38-1/4" x 53-1/4", framed 56-1/2" x 69-1/2"

Guillaume Chasteau (French, 1635-1683) after Nicolas Poussin (French, 1594-1665). 2 plates. "Le matin la terre fut couverte comme d'une bruyne qui estant inconnue aux Hebreux, leur fit dire en leur la

Frederick Christian Lewis (English 1779-1856) print. Artist name ("F.C. Lewis, fc 1808") printed lower right. Etching is of work by Nicolas Poussin (French 1594 - 1665), printed lower center. Printing

Nicolas Poussin (French, Italian, 1594-1665) print on paper, Venus en Mercurius. Signed with initials lower left and stamped lower right. Framed. Nicolas Poussin was the leading painter of the classic

Nicolas Poussin (French, Italian, 1594-1665) print on paper, Venus en Mercurius. Signed with initials lower left and stamped lower right. Framed. Nicolas Poussin was the leading painter of the classic

(French, 1594-1665) Assumption of the Virgin, oil on canvas, 36-1/4 x 28-1/4 in.; unframed [Old Masters] Provenance: The Estate of Peter H. Tillou, Litchfield, Connecticut

ENGLAND/SCOTLAND, 1721-1791 A copper engraving after Nicolas Poussin's (1594-1665) "The Judgement of Hercules" by Robert Strange. The work is signed and annotated within the plate. Provenance: An exac

Assumption of the Virgin, by Nicolas Poussin (1594–1665). Triumph of Galatea by Domenichino. 2 19th C. prints. 14 1/4" x 11".

after Nicolas Poussin (Italian 1594-1665)- ''Venus and Mars'', (Andresen 349); (De Vesme 2); (Wildenstein 122 i/ii)- etching, 1635 by Fabrizio Chiari (Italian 1615-1695)- before the address of De Ross

Jean PESNE (ROUEN, 1623 - PARIS, 1700) D'APRÈS NICOLAS POUSSIN (VILLERS, 1594 - ROME, 1665) - La grande sainte Famille servie par les anges. Paris, chez Vallet. s.d. Gravure. 495 x 658 au TC. Nom des

IN THE MANNER OF NICOLAS POUSSIN 1594 Les Andelys (Normandy) - 1665 Rome DIANA AND ACTAEON Oil on canvas. 62 x 74 cm (F. 75,5 x 87,5 cm). Verso: Old monogrammed 'BL' on the back. Part. slightly old re

NICOLAS POUSSIN (SCHOOL) 1594 Les Andelys, Normandie - 1665 Rom VENUS AND CUPID WITH PANFAMILY AND GOATS Oil on canvas (old relined). 43,5 x 34,5 cm (F. 60 x 52 cm). Part. min. old restored. Frame. Pr

(Les Andelys, 1594 - Roma 1665) Studio per deposizione Penna e bistro su carta, cm 7,5X13,5 Studio per Compianto Matita e bistro su carta, cm 9X12 (2) Poussin dipinse simili composizioni almeno due vo

Titled "Abram and Lot" and attributed to Nicolas Poussin to the name plate Oil on canvas ca. late 18th C H. 15" W. 19.5"

Circle of Nicholas POUSSIN (1594-1665) in Rome: "Figures Among Ancient Ruins". Brown pen ink and grey wash on laid paper. With a similar subject on the verso in pen and ink only. Sheet size: 8 3/8 x 1

Untitled, art studio scene, oil on canvas, 23.5 x 42.5 inches, signed verso on canvas.

ROBERT, Nicolas (FRENCH, 1614-1685). Crested Caracara Eagle (Polyborus plancus). Pencil, watercolor and gouache, on vellum, with gold border. ca. 1675. 16 1/2" x 12 1/4" visible, 24 1/2" x 20" framed.

School of Nicolas Lancret (French, 1690-1743), "Children Playing Blind-Man's Bluff", mid-18th c., oil on canvas, unsigned, "Christie's" labels on reverse of frame, 31 in. x 35 in., framed, overall 38

Amorous Couple in a Wooded Landscape. Appears unsigned, the stretcher with museum accession label, inscribed, 120 Hayes Coll., 6/20/49. 11.75 by 10 in., overall, in a parcel gilt ebonized frame, 20.5

AFTER NICOLAS SANSON (FRENCH, 1600-1667) MAP OF NORTH AMERICA, hand-colored, on laid paper, title in cartouche to upper left corner lettered "NORTH AMERICA / Divided into it's Principall Parts / where

OIL PAINTING BY LOUIS-NICOLAS LEMASLELarge oil on canvas painting by Louis-Nicolas Lemasle (French 1788-1870); entitled Henri IV avec sa Maitresse; depicting the king laying down the captured flags fr

Nicolas Petit (French, 1732-1791) Louis XVI Gilt-Bronze-Mounted Mahogany Bureau Plat ca. 1780, the rectangular top with an inset leather surface, turreted corners and leather-inset slides at both side

French Louis XVI rosewood commode, attributed to Nicolas Petit (French, 1732-1791, master 1761), 18th c. and later elements, three drawers flanked by fluted corner posts, rising on tapered cylindrical

Manner of Nicolas de Largilliere (French, 1656-1746) 19th Century Portraits of a Gentleman and a Lady oil on canvas Each: 34 1/4 x 29 1/2 inches.