Circle of POUSSIN in Rome: "Among Ancient Ruins"

Circle of Nicholas POUSSIN (1594-1665) in Rome: "Figures Among Ancient Ruins". Brown pen ink and grey wash on laid paper. With a similar subject on the verso in pen and ink only. Sheet size: 8 3/8 x 1

ROMANTIC ERA OIL ON CANVAS, H 33", W 44", ANCIENT RUINS A Romantic era oil on canvas. Having focus on the sublime natural landscape, depicts enthusiasts exploring among ancient ruins. Frame measures H

Continental Capriccio oil on canvas, late 19th century, depicting robed figures conversing with ladies in peasant dress among ancient ruins, artist indistinctly signed lower left, 48"h x 36"w, overall

19th/20th Century European School, 'An Italian Marketplace'. Oil on Board19th/20th Century European Impressionist oil painting on board of a market place among ancient ruins. Oil on board. Unsigned. I

Cubist style male and female lions among ancient ruins. Oil on board. Apparently unsigned. Dimensions: (Frame) H 24.5" x W 28.5", (Board) H 20" x W 24" Condition: Painting with a few light surface mar

(After) Giuseppe Vasi (Italian, 1710-1782) 'View of Rome' Lithograph 20th century reproduction after the original etching depicting the ancient ruins of Rome, unsigned, printed on illustration board,

The Ruins and Excavations of Ancient Rome Lanciani R. (1900). Boston / New York, Houghton Mifflin Compagny. CHF 50 / 100 EUR 45 / 91 _____________________________ The library of Dr J. Robert Guy

[Greece] Over 25 photographs, mostly ancient ruins in Greece, some Rome. Some emphasize landscape. Largely albumen, some gelatin silver. Includes: ++ Large carbon print (verso stamped “Received May

Two antique Piranesi architectural etchings. Ancient Roman ruins. Piranesi, Rome, late 18th Century. 21 1/2" x 16 1/2".

(lot of 2) Framed prints on paper, after Giuseppe Vasi (Italian, 1710-1782), including: (1) "The ruins of the ancient magnificence of Rome that are seen in the Campo Vaccino," (1) "The view of the Bas

(Disneyland, c. 1990s-2000s). Adventureland Indiana Jones scene decoration Vase Prop. Constructed of metal with added patina to help give it that ancient ruins look. Has some cracks and a dent, howeve

Antique Italian landscape oil painting with several figures and ruins. Oil on board. No signature found. Appears to be ancient Rome. Please see all images for condition. Size is measured and written o

These small globular pendants were popular among common women in ancient Rome. Some have been described as prostitute's pendants and that view is widely published on the internet. This example is 7.6m

These small globular pendants were popular among common women in ancient Rome. Some have been described as prostitute's pendants and that view is widely published on the internet. This example is 5.9m

These small globular pendants were popular among common women in ancient Rome. Some have been described as prostitute's pendants and that view is widely published on the internet. This example is 6.5m

These small globular pendants were popular among common women in ancient Rome. Some have been described as prostitute's pendants and that view is widely published on the internet. This example is 9.3m

French Lithograph of Roman Ruins, text to lower border in French reads ‘Vue perspective de l’interieure de la cour d’une ancient Prison a Rome’ and ‘a Paris chez jacques Chereau rue st.Jacqu

The Museums and Ruins of Rome In: Vol I & II Amelung, Holtzinger (1912). London / Duckworth. CHF 20 / 40 EUR 20 / 40

Ancient Rome, Imperial Period, ca. 1st to 3rd century CE. Among the finest marble sculptures we have ever had the honor of handling, depicting an elegant draped torso of a goddess, her feminine figure

**Back at auction due to non-paying bidder. Ancient Rome, Imperial Period, ca. 1st to 3rd century CE. Among the finest marble sculptures we have ever had the honor of handling, depicting an elegant dr

Gaspard Dughet, called Gaspard Poussin (Rome 1615-1675) An extensive classical landscape with fishermen on the banks of a river oil on canvas 100 x 136.3cm (39 3/8 x 53 11/16in). This lot is subject t

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

European artists starting from the 17th century were fascinated by the views of ancient ruins so there are many works of this style. Ruins became an artistic and philosophical metaphor for the passage

In the Manner of Giovanni Paolo Panini (Italian, 1691-1765). Oil on canvas, unsigned, 42 x 36 in., framed