Engraving after Salomon Kleiner (German, 1700 - 1761)

Continental, 18th century. Engraved by Johann August Corvinus (German, 1683 –1738) after Salomon Kleiner. Dates to around c. 1720-1740.

Johann-August Corvinus (German 1683-1738), Engraving after Salomon Kleiner, Prospectus Palatii Eugenii Ducis Sabaudiae in platea ad portam Coeli, with double matte. Together with a lithograph by M.B.

Johann Andreas Thelot (1655-1734). An engraving after Salomon Kleiner depicting construction of an orangery. Mat opening: 12in x 16in. Frame: 18-1/2in x 22-1/2in. | Philadelphia Metro area and NYC cur

GEORG WOLFGANG KNORR (GERMAN, 1705-1761) HAND COLORED ENGRAVINGS, 6 PCS, H 11.5", W 7.25", BOTANICALS A group of hand-colored engravings on laid paper by Georg Wolfgang Knorr. Depicting botanical spec

Georg Wolfgang Knorr (German, 1705-1761), Two Sea Life Engravings from Deliciae Naturae Selectaehand-colored engravings, 18th century, to include illustrations of spider crab, blue crab, horseshoe cra

18th century German new testement with many engravings. Including: Kleiner Catechismus, by Peter Canisius, Regensburg, 1757. Length: 17 cm. Fair-good condition (missing title page, possibly some other

Rococo Carriages: Pair of hand colored Antique engravings. Printed by Franz Xaver Habermann (German, 1721-1796), Published by Johann Georg Hertel (German ca. 1700-1775), Framed and matted. Verso has l

Decker, Paul [The Elder] (German, 1677-1713), Hesperthusa, c. 1700, engraving, signed and titled in plate, image 12 x 7.75 inches, sheet 14.25 x 9 inches; Aegle, c. 1700, engraving, c. 1700, signed an

Dutch early 18th century canal scene with bridge in Amsterdam hand colored engraving by Balthasar Friedrich Leizelt 1700's 23.5 x 20 Balthasar Friedrich Leizelt was a German artist and copperplate eng

1700 German 3.45g Gold Ducat NEARLY UNCIRCULATED

Europe, Germany, David Custodis after G. B. Fontana, ca. 1606 CE. Twenty one early Baroque period engravings, broadsheets recognized as "the finest ancient illustrations of armor in existence" by Davi

Daubenkrug Wood & Pewter 1L Stein. Stag and floral with engraving. Circa 1700. Very good condition.

Colonial America German Horseman's Broad Sword / Hanger Type Used Throughout the American Colonies Revolutionary War Use c. 1660-1700, German Horseman's Broad Sword / Hanger, type used throughout the

Perfume Bottle French or German, circa 1700, 18 kt. gold (test) mounts, safety chain, tiny base swells to rounded shoulder, 14 kt. gold (test) stopper, mounts with two partial hallmarks, 3-1/2 in. sma

Four 18th century Italian and German book engravings on paper. Includes two by Thomas Salmon from "Lo Stato Presente di Tutti i Paesi..." (The Present State of all Countries...,1745) titled "Chiesa e

PROBABLY GERMAN SCHOOL ABOUT 1700 PAIR OF PAINTINGS (ORIGINALLY FROM ONE HORIZONTAL COMPOSITION): DEPICTION OF 12 WOMEN IN DIFFERENT DRESSES AND POSES Oil on canvas (lined). Each: 62 x 112 cm (F. 78 x

PROBABLY GERMAN SCHOOL, AROUND 1700 PORTRAIT OF A LANDGRAVE IN ARMOUR Oil on canvas (old relined). 92 x 71 cm (F. 109 x 89 cm). Partly old rest., old retouching, min. dam. Frame probably 18th century.

After Pietro Santi Bartoli (Italian, 1635-1700). Two engravings in giltwood frames depicting Trajan's Column and a detail of a section of the column. Approx. 11" x 47.5" and 46.5" 10.25" (frame)

Continental,16th century. A drypoint etching by Albrecht Dürer dating to 1514. Overall good condition. Thinning spot on the woman's dress. Measures approximately 7 x 9 inches. 1602 direct plate cop

ALBRECHT DURER (German 1471-1528) AN ENGRAVING, "Christ's Agony in the Garden of Gethsemene," ink on paper, signed in monogram and dated in plate, image: 8 3/4" x 6 1/4"; paper: 9 1/16" x 6 1/2". NOTE

French School: Artichaut Engraving with hand-coloring on wove paper; together with German School: Artichokes, engraving with hand-coloring. 7 3/8 x 4 7/8 in. (sight), 10 1/2 x 8 in. (frame), 11 x 15

A 17th century oil painting on canvas, portrait of a lady wearing pearls and a bejewelled blue silk dress, French or German School, circa 1650-1700. Apparently unsigned. Carved giltwood frame. Canvas

(German, 1471-1528), engraving, dated "1503" and signed initials, trimmed to subject. 4 1/2" high, 2 13/16" wide. A few small imperfections, loosely laid to heavy mat. Provenance: Property of a CT Col

Johann Wilhelm Weinmann, (4) botanical engravings, Johann Wilhelm Weinmann (German, 1683-1741), plates 120, 125, 126 and 127 from "Phytanthoza Iconographia", c. 1737, hand watercolored print on paper,