(CIVIL RIGHTS.) John Lewis and other marchers being beaten on the approach to Selma's Pettus Bridge.

A copy of Selma 1965: The March That Changed The South by Charles E. Fager (New York, 1974). Signed on the half-title by Congressman John Lewis, who is mentioned many times in the book.

John T. Riddle1934-2002Civil Rights1984serigraph26 3/4 x 20 inches (image)29 x 23 1/8 inches (sheet)signed, titled, dated and numbered 184/200 in pencil

(New Jersey/California, 1886-1981) The Brooklyn Bridge, circa 1925, signed lower right "John R. Grabach", watercolor over pencil on card, 12-1/2 x 13-5/8 in.; carved and gilt wood frame,. Provenance:

This note showcases President John F. Kennedy writing the last names King, Abernathy, and Wilkins on his gold-embossed Aboard Air Force One stationery. JFK was obviously referring to Dr. Martin Luther

John Fulton Folinsbee Mechanic Street Bridge, New Hope c. 1940oil on canvas board 9.875 h x 14 w in (25 x 36 cm) Signed to lower right 'John Folinsbee'. Provenance: Pri

Danny Lyon SNCC Staff Sit-In, Atlanta, John Lewis behind Mendy Samstein (+ the pastries), Stokely Carmichael standing at right 1963 / 1964gelatin silver print image: 9.625 h × 13.625 w in (24 &

JOHN MARIN Brooklyn Bridge, No. 6 (Swaying). Etching, 1913. 272x222 mm; 11x9 inches, full margins. Edition of approximately only 12. Signed in pencil, lower right. Published by Alfred Stieglitz, 291 F

Maud Lewis (Canadian, 1903-1970) Manner of/ Attributed: Covered Bridge with Sleighs. Enamel on masonite, signed lower right, unframed. Maud Lewis was a folk artist from Nova Scotia. Lewis lived most o

JOHN WHORFMassachusetts, 1903-1959ìThe Bridge at Cahorsî, depicting the bridge over the Lot river in southern France. Signed lower right ìJohn Whorf Cahorsî. Titled on label verso

Robert L. Lewis, Florida Highwaymen, oil on artist board, signed lower right. Golden sky gives beautiful contrast to the red and purple shades reflecting on the river. Boardmeasures 16x20 framed to 21

American. 1900s. Cast brass on later-made stand. John. A. Roebling was a civil engineer who designed and built suspension bridges including the Brooklyn Bridge. A Steel Great Lakes bulk freight barge

Phillips Lewis(1892-1930)"After the Storm, San Francisco Bay"Oil on canvasSigned at the lower edge, right of center: Phillips Lewis; titled on the frame plaque; titled again on a label affix

Set on wooden block bases with green felt bottoms signed in script "HILL" in right rear of the base; Hill (1889-1968) was an early collector and co-author of CLASSICS OF AMERICAN SHOOTING FIELD (1930)

Covered Bridge Acrylic on board Signed lower right Size: 12 in. x 16 in. (30.5 cm x 40.6 cm)

John Whorf. Original watercolor painting depicting busy winter city street scene with figures and cars by a river with bridge and buildings. Framed under glass. Signed lower right. 14.25 x 20.75in. Ov

John Lewis (American, b. 1942) Console Table Cast glass 30 x 32 x 20 inches (76.2 x 81.3 x 50.8 cm) PROVENANCE: Hindman, Chicago, Illinois, Palm Beach Collections, September 16, 2020, lot 18. John Lew

[CIVIL RIGHTS]. KING, Dr. Martin Luther, Jr. (1929–1968). Where Do We Go From Here: Chaos or Community? New York: Harper & Row, 1967. 8vo. Original publisher’s black and yellow cloth, gilt

[CIVIL RIGHTS]. [KING, Dr. Martin Luther, Jr. (1929–1968)]. Ebony Magazine, May 1965. Chicago: Johnson Publishing Company, 1965. 4to. Original publisher’s photographic wrappers (spine ch

[CIVIL RIGHTS]. KING, Dr. Martin Luther, Jr. (1929–1968). Strength to Love. New York: Harper & Row, 1963. 8vo. Original publisher’s black cloth, gilt-lettered spine. Provenance: Claude Wya

Large Archive of photographic images documenting the Civil Rights protests in Nashville c. 1960-1964, taken by Harold Lowe. 1st item: Box containing 35 photographic black and white prints on Kodak pap

John Clymer (1909-1989), When Evening Comes, oil on canvas, 24 x 48, signed lower right: John Clymer (artist cipher) © 1980 verso: titled, signed, dated, Provenance: Altermann Galleries, Santa Fe,

John Clymer (1907-1989), The Hunters, oil on board, 20 x 30, signed lower right: John Clymer verso: titled and signed, Provenance: Morris & Whiteside Galleries, Hilton Head Island, SC (label verso); A

John Gawne (1952- ), Approaching Storm, oil on linen, 48 x 36, signed lower right: John C. Gawne Provenance: From a Private Collection, Vail, CO

JOHN WHORFMassachusetts, 1903-1959"Notre-Dame". Signed lower right "John Whorf". Titled in pencil verso.Watercolor on paper, 22" x 30". Unframed.