Ca 1925 British Clifford R. James Mezzotint Gleaners Breaking

Active ca 1910-1940. Prolific printmaker, primarily in the area of mezzotints of old world subjects matter. Mezzotinting is a precise process which renders the print unique and long-lasting. Measures

Basil Smith (British, B. 1925). "R.M.S. Yare" Signed lower left. Original Watercolor/Mixed Media painting on Hot Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founde

John Hoppner, R.A. (British, 1758-1810), "Portrait of a Gentleman Identified in the Dillon Collection as Hon. James William Dillon (1792-1812), Son of Charles Dillon, the 12th Viscount", ca. 1808, oil

After James Pollard (British, 1792-1867), "A Celebrated Fox Hunt, Breaking Cover," 1817, hand colored aquatint, engraved by R. Havell and Son, overall (with frame): 25.25"h x 28.25"w

Artist: James Boren | 1921 - 1990 AOA, CAA, NAWA Title: Resting by the Old Oak Signed l/r: James Boren CA © 1974 Media: Watercolor on paper Dimensions: 22 by 30 inches

Sir Alfred James Munnings, P.R.A., R.W.S. (British, 1878-1959)Making a Polo Ground at Princemereoil on canvassigned lower right A.J. MUNNINGS25 1/8 x 30 1/4in (63.8 x 76.8cm) Provenan

"Sedona's Matterhorn" Oil on canvas Signed lower left: Fetherolf, titled on the stretcher 14" H x 11" W Provenance: Private Collection, Los Angeles, CA.

after John Hoppner (British, 1758-1810), Portrait of Sir James Shaw (with Mezzotint)oil on canvas, unsigned, half-length, he holds a rolled paper inscribed "The King's Order of Precendence," the canva

Richard Wilson, R.A. (British, 1713-1782), L'Anconetta with Venice beyondoil on canvas, unsigned, circa 1762, retains remnants of a piece of James Orrock's writing paper of 48 Bedford Square, London,

James Johnson (American 1925-1963) M-62 oil on canvas, ca. 1950's.   46 x 46"

James Abbott McNeill Whistler (American/British, 1834-1903) "Nocturne in Blue and Gold - Old Battersea Bridge", ca. 1910-1920 color lithograph on paper board "Franz Hanfstaengl, Munchen, no. 100" blin

Popper Happy Jazz Orchestrion ca. 1925 with a reproduction top. A very popular orchestrion of its time. Popper was experimenting with the Instrumentation (piano, mandolin, bass drum, snare drum, wood

SALVADOR DALà I DOMÈNECH (Figueras, Girona, 1904 - 1989). "Two Sailors", ca.1925. Pencil, graphite and blue pencil on paper. Attached certificate issued by Archives Descharnes (20/06/2022). Attach

GABRIEL ARGY-ROUSSEAU (France, 1885 - 1953). "Tiger Lamp", ca. 1925. Paste glass. Metal base. Original electrification. Signed at the bottom of the lampshade. Published in: Janine Bloch-Dermant, G. Ar

Foundry: Susse Frere, signed by the artist: C. Laplange, h: 13.5 cm, mounted on marble base,

Shreve, Crump & Low (American) Sterling Silver Centerpiece Bowl, Ca. 1925, H 2.25" Dia. 10" 9t oz | Monogrammed "HC" to the center basin. Bearing signature branding and hallmarks to the underside. Cir

Paul Follot (French, 1877-1941) attributed Art Deco oval extending pedestal dining table, ca. 1925, the top with a harlequin-marquetry pattern in oak, above a mahogany, ebony, and oak apron, resting o

Small vase ''Hanneton'' Henri Berge (design), Amalric Walter, Nancy, ca. 1925 Pâte de verre in colourless, pink, orange and violet. Powder melting in green and dark blue. Moulded melted. Above the fo

Frederick Judd Waugh, N.A. (American, 1861-1940), "Seascape", ca. 1925, oil on canvas, signed lower right, 25" x 30". Presented in a giltwood frame affixed with artist plaque. Provenance: Christie's i

Platinum and Old European Cut Diamond Ring, ca. 1925, set within a curved, pierced cushion shape mounting are (3) old European cut diamonds, the center stone is box-set flanked by (2) bead-set old Eur

Ca. 1925. Opalescent green body with cobalt pulled feather, lip and foot. Stretch iridizing and ground pontil. Minor wear on foot. 10.5"h.

The square-cut emerald, approx. .39 ct. by formula, bezel-set within open form OEC diamond octagonal head, diamond shoulders, approx. 1.0 cts. TW. Ca. 1925. Size 6 1/4. 2.6 dwt.

VERNE, Jules (1828-1905). Twenty Thousand Leagues Under the Seas. Translated from the French. Boston: James R. Osgood and Company, 1873 [but 1872]. 8vo. Half-title; frontispiece; numerous illustration

GIULIO RUFA (Rome, 1903 - Milan, 1970) Vase, 1925 ca. Painted and glazed earthenware, h. 38,5 cm e d. 29 cm Globular shape with everted neck. Decorations with putti and women with baskets on a backgro