Bob Stocksdale (1913-2003 Indiana) Two Works: Turned Wo

Bob Stocksdale (1913-2003 Indiana) Two Works: Turned Wood Tray & Bowl. Includes a tray of Oriental Wood form Australia 1.75\"x10.75\" and a flaring bowl of Black Yokewood from Africa 4.25\"x6.25\". Bo

Stocksdale, Bob (American 1913-2003), Two turned wood platters, Maple from Indiana 10 inches in diameter, Bubinga from Africa 11.75 inches in diameter, both signed and inscribed with their wood specie

Bob Stocksdale(1913 - 2003)Turned Wood Platterwoodinscribed underside: Bob Stocksdaleheight 3 x diameter 8 3/4 in. (7.62 x 22.23 cm.) The Georgia and Charles Loloma Collection

Bob Stocksdale, turned wood plate, Bob Stocksdale (American, 1913-2003), turned wood plate, signed and inscribed "Bob Stocksdale, Jenisero from Guatemala" verso, 11"dia.

Bob Stocksdale(1913 - 2003)Desert Ironwood Bowlturned ironwoodinscribed underside: Desert Ironwood / from / Arizona / Bob Stockdaleheight 2 3/4 x diameter 6 1/2 in. (6.99 x 16.51 cm.) The Georgia and

Bob Stocksdale (American, 1913-2003) Belize ziricote wood turned bowl, having a flared rim above a tapered body, signed on underside "Bob Stocksdale, 1988", 5.5"h x 9"w

Bob Stocksdale (1913-2003) Group of Four Bowls 1982-1989 assorted turned woods: black walnut, oak, pistachio, Filipino ebony, each signed, dated and inscribed on underside largest diameter 7in (18cm)

Stocksdale, Bob (American, 1913-2003), Pair of Turned Wood Bowls: 1981, Black Walnut from California, signed and dated on underside, slightly raised base, diameter 12.75 inches; WITH 1987, Bubinga fro

Bob Stocksdale American (1913-2003) Ziricote from Mexico, 1983 studio turned wood pedestal bowl signed and dated under base. Biography from The Smithsonian American Art Museum: Bob Stocksdale grew up

Bob Stocksdale (1913-2003 American) California Black Walnut 1965 Charger 18.5''x2''. Impressive large turned charger signed and inscribed ''Mom and Dad August 15, 1965'' on verso. Excellent condition.

(American, 1913-2003). 1990, signed, dated and noted "Masur Birch from Russia" on verso, 4 3/4 in. H., 8 in. W., 7 in. Diam. Collection of Helen Canzoneri

(American, 1913-2003). 1989, signed, dated, and noted "Brazilian Rosewood" on verso, 4 1/4 in. H., 4 3/4 in. Diam. Collection of Helen Canzoneri

Bob Stocksdale(1913-2003)Bowl, 1991African blackwoodSigned, inscribed, and dated: Snake wood / from / Surinam / Bob Stocksdale / 19914" H x 4.5" Dia. Provenance: The artist's collection

Bob Stocksdale(1913-2003)Bowl, 1991Snake woodSigned, inscribed, and dated: Snake wood / from / Surinam / Bob Stocksdale / 19913.125" H x 7.5" Dia. Provenance: The Estate of Oscar and Barbara

ebano wood; signed and inscribed "Ebano from Mexico" to underside; 2 3/4 x 6 1/4 in. (7 x 15.9 cm.)

carved wood (lignum vitae from Nicaragua), signed and inscribed to underside; the bowl 1 3/4 x 4 in. (4.4 x 10.2 cm.), the pestle 3 1/2 in. (8.9 cm.)

Stocksdale, Bob (American, 1913-2003), Group of 3 Small Plates, c.1980s, Koa wood from Hawaii, each signed on underside, diameter 6 inches.

(American, 1913-2003) lignum vitae bowl, signed "Lignum Vitae from Nicaragua Bob Stocksdale 1984", 4 x 10-1/2 in. Provenance: Collection of Rude Osolnik, Berea, Kentucky Note: From Wikipedia:Bob Stock

(American, 1913-2003). 1984, signed, dated, and noted "African Blackwood" on verso, 4 in. H., 5 in. Diam. Collection of Helen Canzoneri

Having a wide rim over the tapering body, signed and date on the underside "Hedge Maple from California Bob Stocksdale 1979"; along with two unsigned salad spoons. 4 1/2in. H x 10in. W

Turned wood footed bowl, warren, Indiana, USA, 1982. Signature to underside: Padouk from Africa, Bob Stocksdale. 7dia x 4h.

Edwin Fulwider (1913-2003) The Glory of Steel The commissioned work for Ohio Steel Foundry titled 'The Glory of Steel' verso, signed lower left front.Growing up in Bloomington, Indiana, Fulwider was d

1873; oil on canvas; each titled, signed, and dated lower left; 15 1/4 x 21 3/4 inches; 22 x 28 inches frame

Bertram Hartman (1882-1960) 1913 Signed lower left and dated '13 for 1913. Perhaps the companion to two similar exhibited works completed the same year, a fantasy scene of male and female figures aboa